2026-09-01T15:54:25-05:00 2025-12-31 593040705 RIVERO GORDIMER & COMPANY PA 201 N FRANKLIN ST SUITE 2200 TAMPA FL 33602 990 2025-01-01 591934721 TAMPA MUSEUM OF ART INC TAMP 8134218363 120 W GASPARILLA PLAZA TAMPA FL 33602 THOMAS HOCHHAUSLER INTERIM CEO 8134218363 2026-07-14 1 SAM A LAZZARA P01342929 8138757774 2025 THOMAS HOCHHAUSLER 120 W GASPARILLA PLAZA TAMPA FL 33602 7454123 0 X WWW.TAMPAMUSEUM.ORG X 1978 FL TO COLLECT, PRESERVE, STUDY, AND EXHIBIT ICONIC AND IMPORTANT WORKS OF ART TO EDUCATE, ENGAGE, AND INSPIRE THE RESIDENTS OF OUR REGION AND OTHERS AROUND THE WORLD. 51 50 92 313 0 0 22567486 5895274 512248 618459 0 0 -254010 48599 22825724 6562332 0 0 0 0 4032316 4585879 0 0 1830698 3161391 3381434 7193707 7967313 15632017 -1404981 37462452 34192345 3446052 1666881 34016400 32525464 X THE TAMPA MUSEUM OF ART COLLECTS, PRESERVES, STUDIES, AND EXHIBITS ICONIC AND IMPORTANT WORKS OF ART TO EDUCATE, ENGAGE, AND INSPIRE THE RESIDENTS OF OUR REGION AND OTHERS AROUND THE WORLD. 0 0 5310546 976077 THE TAMPA MUSEUM OF ART IS A CULTURAL INSTITUTE THAT ADDS MEASURABLE VALUE TO PEOPLE'S LIVES. WE ARE A PLACE TO CELEBRATE ICONIC WORKS OF ART IN EXHIBITIONS FEATURING BREAKTHROUGHS IN ARTISTIC DIRECTIONS, AND WE ARE A VENUE FOR COMMUNITY FORUMS AND DIALOGUES WITH INTERNATIONALLY RECOGNIZED ARTISTS AND SCHOLARS. THE TMA IS ALSO A REPOSITORY OF ART COLLECTIONS FOR CURRENT AND FUTURE GENERATIONS, AS WELL, WE PROVIDE STUDIO ART PROGRAMS, SCHOOL FIELD TRIPS FOR STUDENTS AND TOURS FOR ADULTS, AND OFFER OVER SIXTEEN DIFFERENT ART EDUCATION PROGRAMS AND WORKSHOPS FOCUSED ON ANCIENT, MODERN, AND CONTEMPORARY ART. CONTINUED AT SCHEDULE O. 5310546 1 1 0 0 0 0 0 1 0 0 1 0 0 1 0 1 0 1 0 0 0 0 0 0 1 0 0 0 0 1 0 0 0 0 0 0 0 0 0 1 0 0 0 1 0 0 0 1 98 0 1 92 1 0 0 0 0 0 1 1 0 0 0 0 0 0 X 51 50 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 0 0 FL X X TANESHA GIBBONS 8134218399 120 W GASPARILLA PLAZA TAMPA FL 33602 MICHAEL A TOMOR EXECUTIVE DIRECTOR 39.00 1.00 X X 334982 0 144840 RONALD CHRISTALDI BOARD CHAIR 5.00 1.00 X X 0 0 0 CATHY GRANT VICE CHAIR 5.00 1.00 X X 0 0 0 HAL FLOWERS VICE CHAIR 5.00 1.00 X X 0 0 0 KENNETH PAGES VICE CHAIR 5.00 1.00 X X 0 0 0 THOMAS HOCHHAUSLER TREASURER 5.00 1.00 X X 0 0 0 ROHIT SAHNI SECRETARY 5.00 1.00 X X 0 0 0 ALAN CLENDENIN TRUSTEE 1.00 X 0 0 0 ALLISON ADAMS TRUSTEE 1.00 X 0 0 0 ANA CRUZ TRUSTEE 1.00 X 0 0 0 AUSTIN EASON TRUSTEE 1.00 X 0 0 0 BARBARA STUBBS TRUSTEE 1.00 X 0 0 0 BELINDA ALEXANDER TRUSTEE 1.00 X 0 0 0 BURTON MULFORD TRUSTEE 1.00 X 0 0 0 CARLOS ALDAZABAL TRUSTEE 1.00 X 0 0 0 CHRISTINE PHILLIPS TRUSTEE 1.00 X 0 0 0 CORNELIA CORBETT TRUSTEE 1.00 X 0 0 0 CYNTHIA SASS TRUSTEE 1.00 X 0 0 0 DEBRA WILLIAMS TRUSTEE 1.00 X 0 0 0 DENNIS ROGERO TRUSTEE 1.00 X 0 0 0 DIANNE JACOB TRUSTEE 1.00 X 0 0 0 FRANK BONSACK TRUSTEE 1.00 X 0 0 0 GREGORY KADET TRUSTEE 1.00 X 0 0 0 GREGORY TEPPER TRUSTEE 1.00 X 0 0 0 GUIDO MANISCALCO TRUSTEE 1.00 X 0 0 0 HARRY COHEN TRUSTEE 1.00 X 0 0 0 IRENE HAKIM TRUSTEE 1.00 X 0 0 0 JACOB RICE TRUSTEE 1.00 X 0 0 0 JAMIE WINDERBAUM FERNANDEZ TRUSTEE 1.00 X 0 0 0 JENNIFER CORINIS TRUSTEE 1.00 X 0 0 0 JOYCE COTTON TRUSTEE 1.00 X 0 0 0 KEEBLER STRAZ TRUSTEE 1.00 X 0 0 0 LINCOLN TAMAYO TRUSTEE 1.00 X 0 0 0 MARY CRINO TRUSTEE 1.00 X 0 0 0 MIKE SCHUTT TRUSTEE 1.00 X 0 0 0 PAT CARTER TRUSTEE 1.00 X 0 0 0 PATRICIA DOUGLAS TRUSTEE 1.00 X 0 0 0 PATRICK BONANNO TRUSTEE 1.00 X 0 0 0 RENALD DURAND TRUSTEE 1.00 X 0 0 0 RENEE VAUGHN TRUSTEE 1.00 X 0 0 0 RICK SIMONETTI TRUSTEE 1.00 X 0 0 0 ROBERT ISBELL MD TRUSTEE 1.00 X 0 0 0 SANDRA CHANCEY TRUSTEE 1.00 X 0 0 0 SANDY JUSTER TRUSTEE 1.00 X 0 0 0 SANDY MURMAN TRUSTEE 1.00 X 0 0 0 SARA GOLDING-SCHER TRUSTEE 1.00 X 0 0 0 SARAH WATKINS TRUSTEE 1.00 X 0 0 0 STACY HAHN TRUSTEE 1.00 X 0 0 0 JOHN BEACHAM TRUSTEE 1.00 X 0 0 0 TOM BEAMES TRUSTEE 1.00 X 0 0 0 TONJA BRICKHOUSE TRUSTEE 1.00 X 0 0 0 YVONNE CAPIN TRUSTEE 1.00 X 0 0 0 BILL FAUCETT CAMPAIGN DIRECTOR 40.00 X 143589 0 11698 NINA WOMELDURF DIRECTOR - MARKETING & COMMUNICATION 40.00 X 104307 0 4176 RAELENE PULLEN DIRECTOR - DEVELOPMENT 40.00 X 171317 0 7312 754195 0 168026 4 0 1 0 0 1726302 846210 1119646 2203116 5895274 ADMISSIONS AND EDUCATION 711190 618459 618459 618459 392715 1726302 795035 -402320 -402320 190057 96756 93301 93301 BUILDING RENTALS AND BEVERAGE SAL 532000 357618 357618 357618 6562332 976077 0 -309019 310607 183233 24899 102475 3417104 2015815 273921 1127368 87656 55088 6513 26055 518335 344866 41966 131503 252177 151957 16039 84181 60975 60975 103681 86055 11405 6221 116604 116604 220148 162117 43242 14789 275596 121262 79923 74411 271006 224936 29810 16260 95602 64427 27944 3231 42444 41494 950 1196377 992993 131600 71784 85050 71435 9175 4440 EXHIBIT EXPENSES 212846 212846 REPAIRS AND MAINTENANCE 209845 128311 67707 13827 CONTRACTUAL SERVICES 170410 170410 PURCHASE OF ART 14000 14000 306850 269301 37549 7967313 5310546 826069 1830698 2411874 982554 920271 556246 503382 173080 44870 63502 94925 117268 19878639 4316108 16228312 15562531 17258818 16737164 37462452 34192345 1625823 343438 499816 89130 1320413 1234313 3446052 1666881 X 22849712 22534185 11166688 9991279 34016400 32525464 37462452 34192345 X -1404981 -85955 X X 0 1 X 1 0 X 3576826 3039354 5362272 22567486 5895274 40441212 60000 60000 60000 60000 60000 300000 3636826 3099354 5422272 22627486 5955274 40741212 40741212 40741212 1.00000 1.00000 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X 0 19878639 4316108 15562531 15562531 LEASEHOLD INTEREST 16737164 16737164 X 6719088 60000 96756 156756 6562332 0 6562332 8210024 60000 182711 242711 7967313 0 7967313 PART III, LINE 4: THE ART COLLECTIONS, WHICH WERE ACQUIRED THROUGH PURCHASES AND CONTRIBUTIONS SINCE THE ORGANIZATION'S INCEPTION, ARE NOT RECOGNIZED AS ASSETS ON THE CONSOLIDATED STATEMENT OF FINANCIAL POSITION. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN NET ASSETS WITHOUT DONOR RESTRICTION IN THE YEAR IN WHICH THE ITEMS ARE ACQUIRED, OR IN NET ASSETS WITH DONOR RESTRICTION IF THE ASSETS USED TO PURCHASE THE ITEMS ARE RESTRICTED BY DONORS. CONTRIBUTED COLLECTION ITEMS ARE NOT REFLECTED ON THE CONSOLIDATED FINANCIAL STATEMENTS. PROCEEDS FROM DEACCESSIONS OR INSURANCE RECOVERIES ARE REFLECTED AS INCREASES IN THE APPROPRIATE NET ASSET CLASSES. PART X, LINE 2: THE ORGANIZATION ACCOUNTS FOR THE EFFECT OF ANY UNCERTAIN TAX POSITIONS BASED ON A "MORE LIKELY THAN NOT" THRESHOLD TO THE RECOGNITION OF THE TAX POSITIONS BEING SUSTAINED BASED ON THE TECHNICAL MERITS OF THE POSITION UNDER SCRUTINY BY THE APPLICABLE TAXING AUTHORITY. IF A TAX POSITION OR POSITIONS ARE DEEMED TO RESULT IN UNCERTAINTIES OF THOSE POSITIONS, THE UNRECOGNIZED TAX BENEFIT IS ESTIMATED BASED ON A "CUMULATIVE PROBABILITY ASSESSMENT" THAT AGGREGATES THE ESTIMATED TAX LIABILITY FOR ALL UNCERTAIN TAX POSITIONS. THE ORGANIZATION HAS IDENTIFIED ITS TAX STATUS AS A TAX -EXEMPT ENTITY AS ITS ONLY SIGNIFICANT TAX POSITION; HOWEVER, THE ORGANIZATION HAS DETERMINED THAT SUCH TAX POSITION DOES NOT RESULT IN AN UNCERTAINTY REQUIRING RECOGNITION. THE ORGANIZATION IS NOT CURRENTLY UNDER EXAMINATION BY ANY TAXING JURISDICTION. THE ORGANIZATION'S FEDERAL RETURNS ARE GENERALLY OPEN FOR EXAMINATION FOR THREE YEARS FOLLOWING THE DATE FILED. PART XI, LINE 2D - OTHER ADJUSTMENTS: COST OF GOODS SOLD 96,756. PART XII, LINE 2D - OTHER ADJUSTMENTS: COST OF GOODS SOLD 96,756. BAD DEBT EXPENSE 85,955. PAVILION 1287237 1136925 150312 433566 CITY 509661 328448 181213 237545 4 322119 260929 61190 123924 2119017 1726302 392715 795035 795035 -402320 X X X X 0 1 0 0 0 0 0 0 0 MICHAEL A TOMOR EXECUTIVE DIRECTOR 289347 0 20000 0 25635 0 144840 0 0 0 479822 0 0 0 RAELENE PULLEN DIRECTOR - DEVELOPMENT 170057 0 0 0 1260 0 7312 0 0 0 178629 0 0 0 PART I, LINE 4B APPROXIMATELY $149,000 WAS APPROVED BY THE BOARD OF DIRECTORS TO BE CONTRIBUTED TO A 457(B) AND 457(F) PLAN ON BEHALF OF MICHAEL TOMOR. X 284 FMV 0 0 0 PART I, LINE 33: THE ORGANIZATION HAS SIGNIFICANT HOLDINGS, WHICH ARE NOT VALUED IN THE MUSEUM'S FINANCIAL STATEMENTS, IN THREE MAJOR AREAS: GREEK AND ROMAN ANTIQUITIES, PHOTOGRAPHY, AND TWENTIETH AND TWENTY-FIRST CENTURY/CONTEMPORARY ART. THE COLLECTION OF GREEK AND ROMAN ANTIQUITIES IS ESPECIALLY STRONG IN PAINTED GREEK CERAMIC VASES OF THE SIXTH, FIFTH, AND FOURTH CENTURIES B.C. TWENTIETH AND TWENTY-FIRST CENTURY HOLDINGS CONSIST OF PRINTS, DRAWINGS, WATERCOLORS, SCULPTURES AND PAINTINGS, PRIMARILY BY U.S. ARTISTS. THE PHOTOGRAPHY COLLECTION INCLUDES NINETEENTH AND TWENTIETH CENTURY WORKS WITH AN EMPHASIS ON CONTEMPORARY PHOTOGRAPHY. DURING THE YEAR ENDED DECEMBER 31, 2025, THE MUSEUM ACCEPTED DONATED ART WITH AN ESTIMATED FAIR VALUE OF APPROXIMATELY $1.5 MILLION INTO ITS COLLECTION. FORM 990, PART III, LINE 4A, DESCRIPTION OF PROGRAM SERVICE: AT THE END OF 2025, THE TAMPA MUSEUM OF ART'S PERMANENT COLLECTION COMPRISED OVER 8,000 OBJECTS, 284 OF WHICH WERE RECEIVED IN THIS CALENDAR YEAR. THE MUSEUM COLLECTS CLASSICAL ANTIQUITIES (1,061 OBJECTS), 19TH-CENTURY PHOTOGRAPHY AND PRINTS EMPHASIZING WORKS THAT RELATE TO THE CLASSICAL COLLECTION (APPROXIMATELY 1,300 OBJECTS), MODERN AND CONTEMPORARY ART IN A VARIETY OF MEDIA (OVER 7,000 OBJECTS), WITH AN EMPHASIS ON PHOTOGRAPHY, ART CREATED AFTER 1970, AND NEW MEDIA. WITHIN THOSE TOTALS, THE FOLLOWING REPRESENT WORKS THAT WERE BROUGHT INTO OUR COLLECTION IN 2025: CLASSICAL ANTIQUITIES (132 OBJECTS), 19TH-CENTURY PHOTOGRAPHY AND PRINTS EMPHASIZING WORKS THAT RELATE TO THE CLASSICAL COLLECTION (1 OBJECT), AND MODERN AND CONTEMPORARY ART IN A VARIETY OF MEDIA (69 OBJECTS). THE MUSEUM CARES FOR AND COLLECTS WORKS BY NATIONALLY AND INTERNATIONALLY RECOGNIZED ARTISTS IN A RANGE OF TECHNIQUES AND MEDIUMS, MANY OF WHOM HAVE TIES TO FLORIDA AND THE TAMPA BAY REGION. THE MUSEUM RECOGNIZES THAT ITS ACQUISITIONS TODAY ARE SETTING STANDARDS FOR FUTURE COLLECTING ACTIVITY AND BUILDING A FOUNDATION FOR EXHIBITIONS AND EDUCATION PROGRAMMING. THE MUSEUM CELEBRATED ITS 105TH ANNIVERSARY IN 2025. THROUGHOUT THE YEAR, THE TAMPA MUSEUM OF ART CONTINUED TO RAISE REVENUE AND ALLOCATE ITS FINANCIAL AND HUMAN RESOURCES TOWARDS THE PRESENTATION OF EXHIBITIONS, COLLECTIONS CARE AND MANAGEMENT, AND THE PROVISION OF A ROBUST SCHEDULE OF EDUCATIONAL PROGRAMS TO SERVE THE TAMPA BAY COMMUNITY. THE 2023 GALLERY RENOVATIONS PROVIDED AN ADDITIONAL 12,000 SQUARE FEET FOR SPECIAL EXHIBITIONS AND FOCUSED PRESENTATIONS OF THE PERMANENT COLLECTION. EQUALLY SIGNIFICANT WAS THE ADDITION OF THE VINIK FAMILY FOUNDATION EDUCATION CENTER FOR TMA'S ROBUST EDUCATION PROGRAMS. ADDITIONALLY, THE 2023 RENOVATION TRANSFORMED THE PUBLIC SPACES ON THE MUSEUM'S FIRST FLOOR WITH AN INCREASE OF SQUARE FOOTAGE FOR THE STORE, NEW ADMISSION DESKS WITH TECHNOLOGICALLY ADVANCED WAYFINDING SYSTEMS, AND A REDESIGN OF THE FIRST-FLOOR ATRIUM INTO A SCULPTURE GALLERY. AS A RESULT, THE FULL HARD AND SOFT COST EXPENSES OF THE RENOVATION CONSTRUCTION IN PROGRESS WERE TRANSFERRED FROM THE TMA FOUNDATION, THE CAMPAIGN FUNDRAISING ARM OF THE MUSEUM, TO THE TMA, INC., THE OPERATIONS AND LEASEHOLD CORPORATION FOR THE BUILDING AND GROUNDS. THE REVENUE AND EXPENSES OF THOSE OPERATIONS ARE REFLECTED IN THE 2024 990. BELOW ARE DESCRIPTIONS OF THE TRAVELING AND IN-HOUSE EXHIBITIONS PRESENTED AT TMA IN 2025, AND THE EDUCATIONAL OPPORTUNITIES DEVELOPED FOR THE TAMPA BAY REGION AND BEYOND. FORM 990, PART III, LINE 4A, DESCRIPTION OF PROGRAM SERVICE: SHOWS OPENING IN 2025 INCLUDE 14TH CONGRESSIONAL AND NEXT GENERATION HIGH SCHOOL ART COMPETITION 2025 FEBRUARY 1 THROUGH APRIL 13, 2025 THIS ANNUAL HIGH SCHOOL ART EXHIBITION FEATURES EXEMPLARY WORK CREATED BY HIGH SCHOOL STUDENTS THROUGHOUT THE 14TH CONGRESSIONAL AND HILLSBOROUGH COUNTY. STUDENTS COMPETE FOR TWO TOP PRIZES: THE MUSEUM CHOICE AWARD AND THE CONGRESSIONAL CHOICE AWARD. THE ARTWORK SELECTED FOR THE CONGRESSIONAL CHOICE AWARD WILL CONTINUE TO REPRESENT THE DISTRICT IN THE NATIONAL CONGRESSIONAL HIGH SCHOOL ART COMPETITION, HANGING IN THE CANNON TUNNEL OF THE U.S. CAPITOL FOR ONE YEAR. THE 14TH CONGRESSIONAL AND NEXT GENERATION HIGH SCHOOL ART COMPETITION IS PRESENTED IN PARTNERSHIP WITH THE OFFICE OF U.S. REPRESENTATIVE KATHY CASTOR. STUDENTS, TEACHERS, FRIENDS, AND FAMILY ARE INVITED TO ATTEND AN EXHIBITION RECEPTION AND CELEBRATION. YOUNG AT ART 2025 JANUARY 13 THROUGH APRIL 13, 2025 EACH YEAR, THE TAMPA MUSEUM OF ART INVITES HILLSBOROUGH COUNTY ART TEACHERS TO SUBMIT A STUDENT'S ARTWORK FOR THE YOUNG AT ART STUDENT EXHIBITION. THE MUSEUM CELEBRATES THE CREATIVITY OF THIS YEAR'S SUBMISSIONS FROM STUDENTS IN KINDERGARTEN THROUGH EIGHTH GRADE. WE WOULD ALSO LIKE TO ACKNOWLEDGE THE DEDICATION AND SUPPORT OF THE VISUAL ARTS BY THE EDUCATORS, SCHOOL STAFF AND ADMINISTRATION, AND THE FAMILIES AND FRIENDS OF THE ARTISTS. 100+ STUDENT ARTWORKS FROM PRIVATE AND PUBLIC SCHOOLS WILL BE ON VIEW IN THE VINIK FAMILY EDUCATION CENTER HALLWAY. THIS EXHIBITION IS FREE TO THE PUBLIC AND STUDENTS, TEACHERS, FRIENDS, AND FAMILY ARE INVITED TO ATTEND AN EXHIBITION RECEPTION AND CELEBRATION. UNDER THE SPELL OF THE PALM TREE: THE RICE COLLECTION OF CUBAN ART FEBRUARY 6, 2025, THROUGH JULY 6, 2025 UNDER THE SPELL OF THE PALM TREE: THE RICE COLLECTION OF CUBAN ART TRACES SUSIE AND MITCHELL RICE'S DECADE-LONG PATH OF DISCOVERING THE ART AND ARTISTS OF CUBA. AN EXTENSIVE INTERGENERATIONAL EXHIBITION OF MODERN AND CONTEMPORARY CUBAN ART, UNDER THE SPELL OF THE PALM TREE PRESENTS OVER 70 PAINTINGS, DRAWINGS, PHOTOGRAPHS, PRINTS, MIXED MEDIA, ART BOOKS, AND SCULPTURES BY 55 ARTISTS. ORGANIZED IN SIX SECTIONS-THE LANGUAGE OF FORMS AND THE FORMS OF LANGUAGE; THE PROPHET'S DREAM; THE GREAT JOURNEY; SENSORY LANDSCAPES OF MEMORY AND DESIRE; THE MUSINGS OF NARCISSUS; AND THE SPIRIT OF THE REAL, THE REALITY OF THE SPIRIT-THIS IMPORTANT EXHIBITION CELEBRATES SIX DECADES OF CUBAN ART. HERE AND NOW: SELECTIONS FROM THE CONTEMPORARY COLLECTION ON VIEW MARCH 15, 2025, THROUGH JANUARY 4, 2026 IN THIS REFRESHED PRESENTATION OF THE TAMPA MUSEUM OF ART'S PERMANENT COLLECTION, HERE AND NOW: SELECTIONS FROM THE CONTEMPORARY COLLECTION HIGHLIGHTS KEY HOLDINGS AND NEW ACQUISITIONS OF CONTEMPORARY ART. WITH A FOCUS ON ART OF THE MOMENT OR ART OF OUR TIME, HERE AND NOW NODS TO THE COLLECTING HISTORY OF THE MUSEUM, AS WELL AS THE SIGNIFICANCE OF THE PRESENT-THE MATERIALS, NARRATIVES, AND EVENTS INFORMING CONTEMPORARY ART MAKING. AS THE WORKS IN THIS EXHIBITION DEMONSTRATE, CONTEMPORARY ARTISTS PORTRAY LIFE AROUND THEM FROM THE VANTAGE POINT OF OBSERVER, INQUISITOR, CARTOGRAPHER, OR CULTURAL HISTORIAN. MOREOVER, THE ART ON VIEW OFTEN BLURS THE BOUNDARIES OF TRADITIONAL MEDIA-FOR EXAMPLE PAINTINGS MAY BE EMPHASIZED BY SCULPTURAL OR PHOTOGRAPHIC MATERIALS; THE READY MADE OR FOUND OBJECT SERVES AS THE SOURCE OF INSPIRATION; OR AN ASSORTMENT OF VARIOUS IMAGES CREATES A WHOLE PICTURE. THE ETRUSCANS: A MYSTERIOUS PEOPLE APRIL 17, 2025 THROUGH MAY 23, 2027 THE ETRUSCANS ARE A FASCINATING ANCIENT ITALIAN PEOPLE ABOUT WHOM MUCH REMAINS A MYSTERY. THEY INHABITED AN AREA OF CENTRAL ITALY - PRESENT-DAY TUSCANY AND BEYOND - IMMEDIATELY NORTH OF LATIUM WHERE THE CITY OF ROME LATER ROSE TO POWER. EMERGING FROM THE IRON AGE "VILLANOVAN" CULTURE (CA. 900-700 BCE), THE ETRUSCANS REACHED THEIR ZENITH IN THE SECOND QUARTER OF THE FIRST MILLENNIUM BCE. OVER THE CENTURIES, ETRUSCAN ART AND CULTURE RETAINED ITS DISTINCT IDENTITY. YET, THEY WERE VARIOUSLY INFLUENCED BY CELTIC AND CENTRAL EUROPEAN, ROMAN AND GREEK, PUNIC AND PHOENICIAN CIVILIZATIONS. THE ETRUSCANS WERE GRADUALLY SUBSUMED BY ROME OVER THE COURSE OF A LONG PROCESS OF ACCULTURATION (CA. 5TH-1ST CENT. BCE). THE PERMANENT ANTIQUITIES COLLECTION OF THE TAMPA MUSEUM OF ART HOLDS SOME 70 ETRUSCAN OBJECTS COVERING A PERIOD OF ABOUT 750 YEARS (CA. 9TH-1ST CENT. BCE). THIS ENSEMBLE, THE LARGEST PUBLIC COLLECTION OF ITS KIND IN THE SOUTHEASTERN UNITED STATES, HAS NEVER BEEN DISPLAYED TOGETHER BEFORE. COMPRISING JEWELRY AND COSMETICS, BRONZE STATUETTES AND METALWARE, TERRACOTTA FIGURINES AND EARTHENWARE, INCLUDING CINERARY URNS, THESE OBJECTS ILLUSTRATE ASPECTS OF EVERYDAY LIFE AND DEATH, POTTERY PRODUCTION, MYTH AND RELIGION. THE PRESENTATION OF THE ETRUSCAN COLLECTION IS PART OF A SERIES OF LONG-TERM EXHIBITIONS HIGHLIGHTING THE MUSEUM'S PERMANENT COLLECTION. AMERICAN GAZE: IMPRESSIONISM - PAINTINGS FROM TAMPA BAY COLLECTIONS AND COLLECTORS MAY 15, 2025 THROUGH FEBRUARY 1, 2026 AMERICAN GAZE: IMPRESSIONISM, PAINTINGS FROM TAMPA BAY COLLECTIONS CELEBRATES THE CONTRIBUTIONS OF AMERICAN IMPRESSIONISTS FROM THE LATE 1800S TO THE 1930S, A PERIOD OF GREAT TRANSFORMATION IN THE UNITED STATES. IN THE 1880S, IMPRESSIONISM MADE ITS WAY TO AMERICA FROM EUROPE AND BECAME A NATIONAL STYLE OF PAINTING IN THE UNITED STATES THAT REMAINS WIDELY BELOVED TO THIS DAY. LIKE THEIR EUROPEAN COUNTERPARTS, THE AMERICAN IMPRESSIONISTS WERE INSPIRED BY THE PHILOSOPHY THAT PAINTING WHAT THEY KNEW AND WHAT THEY EXPERIENCED FIRSTHAND WAS MORE TRUTHFUL AND THUS MORE MEANINGFUL. AMERICAN IMPRESSIONISM DEVELOPED ITS OWN IDENTITY-ONE DEEPLY INTERTWINED WITH THE COUNTRY'S SOCIAL, CULTURAL, AND HISTORICAL SHIFTS. THE EXHIBITION FEATURES SIX SECTIONS WITH OVER 60 PAINTINGS ON VIEW: IMPRESSION, FRENCH INFLUENCERS; LIGHT SHIFTS; FIGURES AND FLORA; COUNTRYSIDE; AND AMERICAN GAZE. TOGETHER, THE PAINTINGS HIGHLIGHT HOW AMERICAN IMPRESSIONISTS CAPTURED THE BEAUTY OF THEIR SURROUNDINGS AND REVEAL A BROADER STORY OF ARTISTIC EVOLUTION IN THE UNITED STATES. FOCAL POINT: THE DAVID HALL PHOTOGRAPHY COLLECTION JUNE 12, 2025, THROUGH APRIL 12, 2026 FOCAL POINT: THE DAVID HALL PHOTOGRAPHY COLLECTION PRESENTS 40 WORKS FROM THE HOLDINGS OF TAMPA-BASED COLLECTOR AND PHOTOGRAPHER DAVID HALL. WITH OVER 400 WORKS IN THE COLLECTION, THE PICTURES ON VIEW PRESENT A SAMPLE OF THE PHOTOGRAPHERS AND IMAGES DAVID ADMIRED AS A LIFELONG PHOTO ENTHUSIAST. THE COLLECTION SHARES THE STORY OF PHOTOGRAPHY IN THE 20TH CENTURY AS THE MEDIUM EVOLVED FROM HISTORICAL DOCUMENTATION TO AN ADMIRED FORM OF VISUAL ART. DAVID HALL WAS INTERESTED IN THE HISTORY OF PHOTOGRAPHY AND HELD A SPECIAL PASSION FOR PHOTOGRAPHS MADE BETWEEN WORLD WAR ONE AND WORLD WAR TWO, A TRANSFORMATIVE PERIOD IN ART. PHOTOGRAPHERS ON VIEW INCLUDE RUTH ORKIN, AUGUST SANDER, RICHARD AVEDON, ANSEL ADAMS, DIANE ARBUS, RUTH BERNHARD, EDWARD WESTON, AND OTHERS. IN A NEW LIGHT: AMERICAN IMPRESSIONISM 1870-1940 WORKS FROM THE BANK OF AMERICA COLLECTION ON VIEW AUGUST 7 - NOVEMBER 30, 2025 THE RICH STORY OF HOW AMERICAN ARTISTS ADAPTED AND TRANSFORMED IMPRESSIONISM IS DISCOVERED IN THE EXHIBITION IN A NEW LIGHT: AMERICAN IMPRESSIONISM 1870-1940. THIS MAJOR SURVEY TRACES THE MOVEMENT'S JOURNEY FROM ITS FRENCH ORIGINS TO ITS DYNAMIC REINTERPRETATION ACROSS THE UNITED STATES, REVEALING HOW ARTISTS BLENDED EUROPEAN INFLUENCES WITH AMERICAN LANDSCAPES, CITIES, AND EVERYDAY LIFE. FEATURING MORE THAN 100 PAINTINGS AND WORKS ON PAPER FROM THE BANK OF AMERICA COLLECTION, IN A NEW LIGHT OFFERS A VIBRANT LOOK AT THE EVOLUTION OF AMERICAN ART DURING A TIME OF NATIONAL REFLECTION AND RENEWAL. THIS EXHIBITION HAS BEEN LOANED THROUGH THE BANK OF AMERICA ART IN OUR COMMUNITIES PROGRAM. CHARLES ATLAS: KISS THE DAY GOODBYE AUGUST 21, 2025 - OCTOBER 21, 2026 FILMED FROM THE BALCONY OF ATLAS'S TEMPORARY APARTMENT ON CAPTIVA ISLAND, THE ARTIST CAPTURED THE BREATHTAKING SIGHT OF THE FLORIDA SUNSET AND GULF SHORES OVER SEVERAL WEEKS. AN ABSTRACT LANDSCAPE, ATLAS CREATED A GRID COMPOSED OF 36 SUNSETS THAT CAPTURED THE BRILLIANT ORANGE SUN DIPPING INTO, AND ULTIMATELY BENEATH, THE HORIZON. A PENSIVE SOUNDTRACK AND SCULPTURAL COUNTDOWN CLOCK ACCOMPANY THE VIDEO INSTALLATION, EMPHASIZING THE CULMINATION OF THE DAY. KISS THE DAY GOODBYE ALLUDES TO THE PASSAGE OF TIME AND SENTIMENTS RELATED TO ENDINGS. WHEN THE COUNTDOWN CLOCK STRIKES ZERO, THE VIDEO RESTARTS AND THE SUN BEGINS ITS DESCENT ONCE MORE, A METAPHOR FOR THE CYCLE OF DAYS AND EVENTS THAT SHAPE OUR LIVES. FORM 990, PART III, LINE 4A, DESCRIPTION OF PROGRAM SERVICE: THE BUCS AT 50: A PHOTOGRAPHIC RETROSPECTIVE ON VIEW SEPTEMBER 27 TO OCTOBER 26, 2025 THE TAMPA BAY BUCCANEERS MARK THEIR 50TH SEASON WITH THE BUCS AT FIFTY: A PHOTOGRAPHIC RETROSPECTIVE, PRESENTED WITH THE TAMPA MUSEUM OF ART. THIS EXHIBITION HIGHLIGHTS FIVE DECADES OF BUCCANEERS HISTORY. IT FEATURES PERSPECTIVES OF HISTORIC PLAYERS AND COACHES, ICONIC MOMENTS FROM THE FIELD, AND RARELY SEEN BEHIND-THE-SCENES PHOTOGRAPHS. TOGETHER, THESE IMAGES REFLECT THE EVOLUTION OF THE BUCCANEERS AND THEIR LASTING IMPACT ON TAMPA BAY. SUCHITRA MATTAI: TO LEAVE A TRACE OCTOBER 17, 2025 - MAY 15, 2027 SUCHITRA MATTAI'S ARTWORK TO LEAVE A TRACE EVOKES THE COMPLEX HISTORY OF MIGRATION FROM SOUTHEAST ASIA TO GUYANA THAT TRANSFORMED THE LIVES OF THE ARTIST'S FAMILY AND THOUSANDS OF OTHERS. SHIPS AND THE SEA APPEAR IN THIS EXHIBITION AS AN EXPLORATION OF SELF AND COMMUNITY. SHE USES MATERIALS FAMILIAR TO HER - SUCH AS VINTAGE SARIS, BINDIS, AND BEADING, AND HINDU RELICS - TO RECLAIM HISTORY AND GIVE PROMINENCE TO VOICES SILENCED OR IGNORED THROUGHOUT TIME. TO LEAVE A TRACE (2024) REENVISIONS THE TRANS-ATLANTIC JOURNEY FROM INDIA TO GUYANA, WITH REPRESENTATIONS OF THE SHIP'S HULL WITH AN ELONGATED POST WRAPPED IN BRAIDED GOLD ROPE. BORN IN 1973 IN GUYANA, THE ARTIST EARNED HER MFA AND MA IN SOUTH ASIAN ART FROM THE UNIVERSITY OF PENNSYLVANIA IN PHILADELPHIA. IN ADDITION TO SOLO EXHIBITIONS AT THE TAMPA MUSEUM OF ART AND ACROSS THE COUNTRY, HER ART WAS RECENTLY SELECTED FOR THE SAO PAULO BIENNIAL EXHIBITION. YOUTH COUNCIL: CTRL+ART+CREATE ON VIEW FROM NOVEMBER 6 - DECEMBER 31, 2025 THE YOUTH COUNCIL WELCOMED VISITORS TO CTRL+ART+CREATE, A COLLECTION OF ARTWORK FROM MIDDLE AND HIGH SCHOOL STUDENTS ACROSS HILLSBOROUGH, PINELLAS, AND PASCO COUNTIES. ORGANIZED ENTIRELY BY THE TAMPA MUSEUM OF ART'S YOUTH COUNCIL, THIS EXHIBITION WAS CREATED TO PROVIDE A PROFESSIONAL AND INCLUSIVE SPACE FOR THE NEXT GENERATION OF ARTISTS TO DISPLAY THEIR WORK. LESS THAN A THIRD OF THE ALMOST 200 WORKS SUBMITTED WERE ACCEPTED BY THE YOUTH COUNCIL. THE YOUTH COUNCIL PRIORITIZED OPENNESS AND ACCESSIBILITY, ENCOURAGING STUDENTS TO EXPRESS THEIR UNIQUE PERSPECTIVES THROUGH A VARIETY OF MEDIUMS AND THEMES. THE WORKS ON VIEW WERE CREATED BY ARTISTS IN GRADES 6 TO 12 WORKING IN MEDIUMS RANGING FROM PAINTING AND SCULPTURE TO JEWELRY AND FIBER ARTS. THE ARTISTS ADDRESSED THEMES LIKE MATERIALITY, SELF-DISCOVERY, ENVIRONMENTALISM, TRAUMA, LOVE, AND CURRENT EVENTS. CTRL+ART+CREATE INVITES VISITORS TO VIEW A DIVERSE ARRAY OF ARTWORK FROM STUDENTS AROUND TAMPA BAY. THE YOUTH COUNCIL AND THEIR PROGRAMS ARE SUPPORTED BY TAMPA MUSEUM OF ART'S NEXTGEN MEMBERS AND ART & ACES. JUN KANEKO: SILENCE BEFORE SOUND DECEMBER 18, 2025, THROUGH MAY 10, 2026 THE EXHIBITION JUN KANEKO: SILENCE BEFORE SOUND CELEBRATES THE TAMPA MUSEUM OF ART'S RECENT ACQUISITION OF JUN KANEKO'S (JAPANESE AMERICAN, B. 1942) MONUMENTAL SCULPTURE UNTITLED (DANGO). JUN KANEKO: SILENCE BEFORE SOUND REPRESENTS THE FIRST MAJOR EXHIBITION OF KANEKO'S OEUVRE IN FLORIDA AND WILL PRESENT AN OVERVIEW OF THE ARTIST'S PROLIFIC CAREER-FROM THE EARLY SCULPTURES HE MADE AS A MEMBER OF THE INFLUENTIAL CALIFORNIA CLAY MOVEMENT IN THE 1960S TO THE GROUNDBREAKING PROJECTS THAT BLURRED THE BOUNDARIES OF PAINTING, CERAMICS, AND SCULPTURE. THE TITLE JUN KANEKO: SILENCE BEFORE SOUND SERVES AS A METAPHOR FOR THE ARTIST'S CREATIVE PROCESS AND THE JAPANESE CONCEPT OF MA, AN IDEA DEFINED AS A PAUSE IN TIME. EACH APPLICATION OF GLAZE AND PAINT IS CAREFULLY CONSIDERED WITH THE APPROPRIATE SPACE BETWEEN THE MARK OR GESTURE. THIS NEGATIVE SPACE, OR SILENCE, IS EQUALLY IMPORTANT TO THE OVERALL BALANCE, HARMONY, AND PATTERN IN KANEKO'S ARTWORKS. TMA'S NEW ACQUISITION OF KANEKO'S DANGO WILL ANCHOR THE EXHIBITION. CONTINUING INTO 2025 FROM 2024 ANCIENT ATHENS: BIRTHPLACE OF DEMOCRACY ON VIEW OCTOBER 25, 2024 THROUGH MAY 18, 2025 THE U.S. DEMOCRATIC CONSTITUTION WAS IN LARGE PART INSPIRED BY THE POPULAR GOVERNMENT OF CLASSICAL ATHENS, AS WELL AS THE ROMAN REPUBLIC AND THE FRENCH ENLIGHTENMENT. DURING THE 2024 PRESIDENTIAL ELECTIONS, THE TAMPA MUSEUM OF ART HIGHLIGHTED THE ANCIENT GREEK CITY-STATE ATHENS AS THE BIRTHPLACE OF DEMOCRACY. THERE, BETWEEN THE 6TH AND 4TH CENTURIES BCE, MALE CITIZENS GAINED POWER IN A FORM OF GOVERNMENT BASED ON THE RULE OF LAW. THE EXHIBITION IS BASED ON THE MUSEUM'S EXTENSIVE COLLECTION OF 19TH-CENTURY PHOTOGRAPHY, PAIRED WITH A DOZEN ANTIQUITIES FROM THE PERMANENT COLLECTION AS WELL AS SOME SIGNIFICANT LOANS. ANCIENT ATHENS: BIRTHPLACE OF DEMOCRACY ILLUSTRATES ARCHAEOLOGICAL SITES SUCH AS THE ACROPOLIS, THE ARTS AND CULTURE OF CLASSICAL ATHENS SUCH AS SCULPTURE AND CERAMIC VASES, THEATER AND ATHLETICS, AS WELL AS THE GODS AND GODDESSES WORSHIPPED IN THE CITY. THE EXHIBITION ALLOWS VISITORS TO CONTEMPLATE THE IDEALS OF THE SOCIETY THAT GAVE BIRTH TO DEMOCRACY. FROM THE 6TH THROUGH THE 5TH CENTURY BCE, POLITICAL REFORMS BROKE THE POWER OF THE NOBILITY (ARISTOKRATIA) AND EVENTUALLY GAVE WAY TO POPULAR GOVERNMENT (DEMOKRATIA) IN ANCIENT ATHENS. ORGANIZED INTO AN INDEPENDENT CITY-STATE (POLIS) THAT INCLUDED THE COUNTRYSIDE OF ATTICA, ATHENS BECAME THE BASTION OF FREEDOM AND DEMOCRACY, AND THE BEACON OF CLASSICAL CIVILIZATION AT THE HEIGHT OF GREEK ART AND CULTURE. ONLY ONE OF THE HUNDREDS OF CITY-STATES ACROSS THE GREEK WORLD THAT WITNESSED THE RISE OF POPULAR GOVERNMENT, ATHENS MAY RIGHTFULLY BE CONSIDERED THE BIRTHPLACE OF DEMOCRACY NOT ONLY BECAUSE IT IS THE MOST FAMOUS AND BEST-DOCUMENTED CASE BUT ALSO BECAUSE IT WAS THE STATE WITH THE LARGEST POPULATION AT THE TIME IN WHICH DEMOCRACY REACHED ITS MOST RADICAL FORM. DURING THE PRESIDENTIAL ELECTION IN THE UNITED STATES IN 2024, THE BIRTH OF DEMOCRACY IN ANCIENT ATHENS GAINS ADDITIONAL HISTORICAL RELEVANCE. THE LEGACY OF CLASSICAL ATHENS GOES BACK TWO AND A HALF THOUSAND YEARS. ITS ART CONTINUES TO INSPIRE CONTEMPORARY ARTISTS. GREEK MYTHS AND LEGENDS, TRAGEDIES AND COMEDIES INSPIRE MODERN LITERATURE, CINEMA AND THEATER. THIS EXHIBITION AIMS TO EXAMINE WHAT THE ORIGINAL IDEALS OF DEMOCRACY, LIBERTY AND JUSTICE FOR ALL, EQUALITY BEFORE THE LAW AND THE PURSUIT OF HAPPINESS STILL MEAN TODAY. ANCIENT ATHENS: BIRTHPLACE OF DEMOCRACY WAS SPONSORED IN PART BY: THE FLORIDA DIVISION OF CULTURAL AFFAIRS CULTURAL ENDOWMENT FUND, THE FRANK E. DUCKWALL FOUNDATION, THE TAMPA MUSEUM OF ART FOUNDATION'S RICHARD E. PERRY CULTURAL ENDOWMENT FUND, THE GUS LEMONOPOULOS FUND OF THE TAMPA BAY COMMUNITY FOUNDATION, AND WILLIAM KNIGHT ZEWADSKI. THE ART OF COPTIC EGYPT: FROM THE COLLECTION OF DR. ROBERT STEVEN BIANCHI ON VIEW SEPTEMBER 13, 2024, THROUGH SEPTEMBER 28, 2025 THE WORD "COPT" REFERS TO THE NATIVE POPULATION OF EGYPT, MANY OF WHOM CONVERTED TO CHRISTIANITY IN THE EARLY CENTURIES OF THE ROMAN PERIOD. TRADITION MAINTAINS THAT THE HOLY FAMILY SOJOURNED IN EGYPT AND THAT SAINT MARK, THE EVANGELIST, ESTABLISHED THE FIRST CHRISTIAN CHURCH IN EGYPT IN ALEXANDRIA IN THE FIRST CENTURY. THE COPTS SHARED A COMMON MATERIAL CULTURE WITH THEIR POLYTHEISTIC NEIGHBORS. IMPERIAL EDICTS ESTABLISHED CHRISTIANITY AS THE RELIGION OF THE EMPIRE IN THE LATE 4TH CENTURY, WHICH ALLOWED THE COPTIC COMMUNITY TO FLOURISH. THE ART OF COPTIC EGYPT SHOWCASES OVER FIFTY ARTIFACTS FROM A LOCAL PRIVATE COLLECTION DATING FROM THE EARLY CENTURIES OF THE ROMAN IMPERIAL PERIOD TO THE MIDDLE AGES, ALTHOUGH SPECIAL ATTENTION IS GIVEN TO OBJECTS SPECIFICALLY ASSOCIATED WITH THE COPTIC CHURCH. TODAY, THERE IS STILL A THRIVING, VIBRANT COPTIC COMMUNITY IN EGYPT AND BEYOND, INCLUDING IN TAMPA. THE NOUN "COPT AND THE ADJECTIVE "COPTIC" ARE ETYMOLOGICALLY DERIVED FROM AL-QIBT, AN ABBREVIATED ARABIC TRANSCRIPTION OF THE GREEK AIGYPTOS, THAT IN TURN IS BASED ON THE ANCIENT EGYPTIAN PHRASE HUT-KA-PTAH, THE TEMPLE OF PTAH, WHICH WAS USED TO REFER TO THE CITY OF MEMPHIS AS A SUBSTITUTE FOR EGYPT AS A WHOLE. (COMPARE OUR USE OF THE PHRASE "THE WHITE HOUSE" AS A SUBSTITUTE FOR THE U.S. GOVERNMENT.) INITIALLY, THE NOUN "COPT" WAS APPLIED TO NON-ARABIC SPEAKING NON-MUSLIMS LIVING IN EGYPT. EVENTUALLY, IT CAME TO IDENTIFY THE NATIVE EGYPTIANS WHO CONVERTED TO CHRISTIANITY SINCE THE EARLY CENTURIES OF THE ROMAN IMPERIAL PERIOD. FORM 990, PART III, LINE 4A, DESCRIPTION OF PROGRAM SERVICE: DURING THESE EARLY CENTURIES, THE COPTS LIVING IN EGYPT WERE PART OF THE ROMAN EMPIRE. THEY SHARED A COMMON MATERIAL CULTURE WITH THEIR POLYTHEISTIC NEIGHBORS - THOSE WHO WORSHIP MANY GODS. THAT CULTURE DERIVED IN PART FROM PHARAONIC EGYPT, AS WELL AS GREECE AND ROME. INTIMATELY BOUND TO THE FIRST GENERATIONS OF CHRISTIANITY, EGYPT ALSO WITNESSED SEVERE PERSECUTIONS UNDER THE ROMAN EMPIRE. THE LITURGICAL CALENDAR OF THE COPTIC CHURCH ACTUALLY MARKS ITS BEGINNING FROM 284 OF THE COMMON ERA - THE ANNO MARTYRUM ("YEAR OF THE MARTYRS") - THE YEAR EMPEROR DIOCLETIAN CAME TO THE THRONE AND UNDER WHOSE REIGN THE SECOND WAVE OF PERSECUTIONS TOOK PLACE. THE PROVISIONS OF THE EDICT OF MILAN PROMULGATED BY EMPEROR CONSTANTINE THE GREAT (313 CE),REMOVED THE STIGMA OF BEING A CHRISTIAN. THE EDICT OF THESSALONICA, ISSUED BY EMPEROR THEODOSIUS I (380 CE), ESTABLISHED CHRISTIANITY AS THE ONLY RECOGNIZED RELIGION ACROSS THE EMPIRE. THE COPTIC COMMUNITY FLOURISHED EVEN AFTER THE FALL OF ALEXANDRIA TO 'AMR IBN AL-'AS (641 CE), WHICH USHERED IN THE ISLAMIC PERIOD, WHEN MANY TRADITIONS OF THE COPTS WERE ALLOWED TO CONTINUE. THE OBJECTS ON DISPLAY IN THIS EXHIBITION ARE PART OF THE PRIVATE COLLECTION OF RENOWNED EGYPTOLOGIST AND FINE ARTS HISTORIAN DR. ROBERT STEVEN BIANCHI. JACOB HASHIMOTO: THIS PARTICLE OF DUST ON VIEW NOW THROUGH JANUARY 2027 THE TAMPA MUSEUM OF ART'S ATRIUM IS TRANSFORMED BY JACOB HASHIMOTO'S SITE-SPECIFIC INSTALLATION AND UNIQUE TO THE TAMPA MUSEUM OF ART'S ARCHITECTURE. THE INSTALLATION REPRESENTS JACOB HASHIMOTO'S EXPLORATION OF ABSTRACT LANDSCAPE AND HIS INTEREST IN BLURRING THE BOUNDARIES BETWEEN PAINTING AND SCULPTURE.THIS PARTICLE OF DUST EVOKES THE EXPERIENCE OF OBSERVING THE NIGHT SKY THROUGH VARIOUS CLOUD CLUSTERS. THOUSANDS OF TRANSPARENT AND OPAQUE WHITE DISCS HANG SUSPENDED FROM A BESPOKE ARMATURE. NAVY BLUE KITES, IMPRINTED WITH WHITE AND CERULEAN BLUE STAR PATTERNS, HANG AMIDST THE CLOUD SHAPES AND CATCH THE LIGHT AS THE SUN RISES OVER THE MUSEUM AND DIPS INTO THE HORIZON OVER THE HILLSBOROUGH RIVER. DEPENDING ON ONE'S VANTAGE POINT, EITHER FROM THE LOBBY, STAIRWELL, OR GALLERIES, THE EXPERIENCE OF THIS PARTICLE OF DUST SHIFTS-FROM BELOW THE CLOUDSCAPE APPEARS TO DRIFT INTO THE SKY WHILE AT EYE-LEVEL THE VIEWER LOOKS DIRECTLY INTO THE STARS. VAUGHN SPANN: ALLEGORIES ON VIEW NOW THROUGH JULY 5, 2026 ABSTRACTION AND FIGURATION CONVERGE IN VAUGHN SPANN'S MONUMENTAL PAINTINGS. MARKED MEN, AN ONGOING SERIES, FEATURES A PROMINENT X AT THE CENTER OF THE CANVAS. RENDERED IN VIBRANT PAINT SWATHS-FROM SAPPHIRE TO SKY BLUE, CRIMSON RED AND MARIGOLD YELLOW, TO BLUSH PINK AND EMERALD GREEN-THE X CREATES GRIDS OF KALEIDOSCOPIC COLORS. A STAND-IN FOR THE BODY, UNKNOWN, OR THE ANONYMOUS, SPANN'S X SIGNIFIES BOTH INDIVIDUAL AND COLLECTIVE EXPERIENCES. THE SUITE OF FOUR LARGE-SCALE PAINTINGS ON VIEW IN THE TAMPA MUSEUM OF ART'S LOBBY DEMONSTRATES SPANN'S EXPLORATION OF PERSONAL, POLITICAL, AND ART HISTORICAL NARRATIVES. ESTERIO SEGURA: GOODBYE MY LOVE FEBRUARY 25, 2023 - MARCH 2027 A NEW ACQUISITION TO THE MUSEUM'S PERMANENT COLLECTION,GOODBYE MY LOVE REPRESENTS ESTERIO SEGURA'S (CUBAN, B. 1970) ONGOING EXPLORATION OF THE MEANING OF AIRPLANES AND FLIGHT. PRODUCED IN MULTIPLE EDITIONS AT DIFFERENT SCALES, THIS VERSION IS NEARLY THE LARGEST. IN DESCRIBING THE SERIES, SEGURA EXPLAINED, "IN THIS WORK, THE REFERENCE TO THE AIRPLANE HYBRIDIZES WITH A REFERENCE TO ANOTHER WELL-KNOWN UNIVERSAL SYMBOL: A SIMPLIFIED IMAGE OF THE HEART. THIS IS FUSED WITH AN EASILY UNDERSTOOD TITLE WITH SEVERAL MEANINGS, FROM THE MOST CORNY AND SENTIMENTAL TO THE MOST CONTROVERSIAL, FROM A POLITICAL AND SOCIAL STANDPOINT. WITH THIS WORK, I REFERENCE THE EXPERIENCE OF UPROOTING, NOSTALGIA, MEMORY, LOSS-HOW WE EXPERIENCE THE BREAKDOWN OF EVERYTHING WE LOVE." BORN IN SANTIAGO DE CUBA, ESTERIO SEGURA IS A GRADUATE OF THE RENOWNED ART SCHOOL INSTITUTO SUPERIOR DE ARTE IN HAVANA. MYRLANDE CONSTANT: EARLY WORKS FROM THE TMA SEQUIN ARTS FLAG-MAKERS OF HAITI COLLECTIONS ROTATING EXHIBITIONS ONGOING MYRLANDE CONSTANT: EARLY WORKS IS THE THIRD PRESENTATION IN THE SERIES SEQUIN ARTS: THE FLAGMAKERS OF HAITI. IT FEATURES AN INTIMATE SELECTION OF CONSTANT'S FLAGS MADE OVER A FIFTEEN-YEAR PERIOD, FROM THE MID-1990S TO THE END OF THE AUGHTS. THE TEXTILES ON VIEW INCLUDE WORKS FROM THE HELLER COLLECTION, WHOSE DONORS GIFTED THE FIRST HAITIAN OBJECTS TO THE MUSEUM'S PERMANENT COLLECTION, AS WELL AS THE GESSEN COLLECTION, RECOGNIZED AS ONE OF THE LARGEST COLLECTIONS OF DRAPO VODOU IN THE COUNTRY. THE EIGHT BEADED WORKS REVEAL THE EVOLUTION OF CONSTANT'S EARLY WORK, FROM SINGULAR IMAGERY OF VODOU DEITIES TO NARRATIVE TABLEAUX DEPICTING BOTH SPIRITUAL AND EVERYDAY LIFE IN HAITI. THIS PRESENTATION ALSO INCLUDES TWO FLAGS BY MIREILLE DELICE, ONE OF THE MANY ARTISTS CONSTANT MENTORED IN HER ATELIER. VIEWED TOGETHER, MYRLANDE CONSTANT: EARLY WORKS OFFERS INSIGHT INTO THE TRANSFORMATIVE YEARS OF CONSTANT'S CREATIVE PRACTICE, AS SHE EMERGED FROM LOCAL HEROINE TO GLOBAL PHENOM. JOSEPH VEACH NOBLE: THROUGH THE EYE OF A COLLECTOR APRIL 18, 2024 THROUGH FEBRUARY 19, 2026 IN 1986, THE TAMPA MUSEUM OF ART ACQUIRED SOME 175 ANCIENT OBJECTS FROM THE PROMINENT COLLECTION OF JOSEPH VEACH NOBLE. THIS ACQUISITION BECAME THE CORNERSTONE OF THE MUSEUM'S BURGEONING PERMANENT COLLECTION OF ANTIQUITIES THAT HAS SINCE GROWN TO OVER 800 OBJECTS. AFTER NEARLY FOUR DECADES, IT IS HIGH TIME TO PLACE THE NOBLE COLLECTION IN THE SPOTLIGHT ONCE MORE. THE SUPERB NOBLE COLLECTION OF GREEK AND ITALIAN VASES IS OF INTERNATIONAL RENOWN FOR ITS BREADTH OF THEMES AND STYLES, FORMS AND TECHNIQUES. THE NOBLE VASES ARE THEREFORE OF SUPERIOR EDUCATIONAL VALUE TO ILLUMINATE ASPECTS OF ANCIENT ATHENIAN MYTH AND RELIGION, WARFARE AND ATHLETICS, WINE CULTURE AND COSMETICS, DAILY LIFE AND ENTERTAINMENT. MANY VASES OF NOBLE'S COLLECTION HAVE BEEN ON DISPLAY IN THE PAST DECADES, BUT NO DEDICATED PRESENTATION OF THE COLLECTION HAS BEEN ON DISPLAY SINCE THE INAUGURAL EXHIBITION AT THE TMA IN 1986. THROUGH THE EYE OF A COLLECTOR WILL ALSO SHOWCASE FASCINATING CURIOSITIES AND BEAUTIFUL SCULPTURE IN THE TMA'S NOBLE COLLECTION. LIFE & DEATH IN ANTIQUITY: INTRODUCTION TO THE ANCIENT COLLECTION JANUARY 13, 2023 - FALL 2026 THE TAMPA MUSEUM OF ART PURCHASED ITS FIRST ANCIENT ARTWORK IN 1981, A BLACK-FIGURE COLUMN KRATER, PERHAPS DEPICTING THE WEDDING PROCESSION OF PELEUS AND THETIS. FIVE YEARS LATER THE MUSEUM'S ANTIQUITIES COLLECTION QUADRUPLED IN SIZE WITH THE SINGLE ACQUISITION OF THE PROMINENT COLLECTION OF JOSEPH VEACH NOBLE. THE PERMANENT COLLECTION CURRENTLY HOLDS ABOUT 575 ANCIENT ARTIFACTS, IN ADDITION TO OVER 100 LONG-TERM LOANS FROM PRIVATE COLLECTIONS. MORE THAN THREE-QUARTERS OF THE MUSEUM'S ANTIQUITIES ARE REPRESENTATIVE OF ANCIENT GREECE AND ITALY, PARTICULARLY ATHENS AND ROME. THE ANCIENT WORLD ENCOMPASSED A MUCH WIDER DIVERSITY OF TRADITIONS, HOWEVER, OF WHICH SOME CAN BE ENCOUNTERED IN THIS INTRODUCTION TO THE MUSEUM'S ANTIQUITIES COLLECTION. THE GALLERY DISPLAY WILL HIGHLIGHT ASPECTS OF EVERYDAY LIFE AND DEATH, AS WELL AS ENTERTAINMENT AND RELIGION, TRADE AND POLITICS. C. PAUL JENNEWEIN: ART DECO BRONZE SCULPTURE FROM THE PERMANENT COLLECTION ON VIEW NOW C. PAUL JENNEWEIN'S (GERMAN AMERICAN, 1890-1978) ARTWORK REVEALS THE INSPIRATION OF THE ANCIENT WORLD WHILE ALSO ENGAGING WITH THE NEW SCULPTURAL STYLES OF HIS TIME, MERGING ART DECO WITH THE NEO-CLASSICAL TRADITION. IN 1978, THE TAMPA BAY ART CENTER, PREDECESSOR OF THE TAMPA MUSEUM OF ART, RECEIVED A BEQUEST OF 2,600 OBJECTS INCLUDING FINISHED ARTWORKS, AS WELL AS PREPARATORY DRAWINGS, PLASTER CASTS, AND MOLDS FOR THE NUMEROUS COMMISSIONS JENNEWEIN RECEIVED DURING HIS PROLIFIC CAREER. STARTING IN FALL 2022, THE MUSEUM PRESENTED JENNEWEIN'S EARLY SCULPTURES FOR AN EXTENDED TWO-YEAR DISPLAY. MUSEUM PROGRAMMING OUTSIDE OF MUSEUM EXHIBITIONS, THE TMA IS GROWING ITS COMMUNITY PROGRAMS BY ENGAGING MORE STAKEHOLDERS AND PARTICIPANTS. THE TMA HAS A STRONG REPUTATION FOR BUILDING PARTNERSHIPS WITH COMMUNITY ORGANIZATIONS ACROSS TAMPA BAY. THROUGH THE TMA'S DIRECT OUTREACH PROGRAMS, WE WORK WITH INDIVIDUALS AT-RISK DUE TO GEOGRAPHIC DISPLACEMENT, ECONOMIC DISADVANTAGE, AND THOSE LIVING WITH MENTAL AND PHYSICAL HEALTH CHALLENGES. THE MUSEUM'S COMMUNITY PROGRAMS HAVE GROWN OVER THE PAST FIVE YEARS DUE TO THE EASE WITH WHICH WE MAKE THESE PROGRAMS ACCESSIBLE AND AVAILABLE FREE OF CHARGE. FORM 990, PART III, LINE 4A, DESCRIPTION OF PROGRAM SERVICE: THE TMA IS DEDICATED TO PRESENTING ENRICHING, ACCESSIBLE AND ENGAGING PROGRAMS TO ALL MEMBERS OF THE TAMPA BAY COMMUNITY, AND THE MUSEUM IS STEADFAST IN ITS COMMITMENT TO CELEBRATING THE COMMUNITY IT SERVES. IN ALIGNMENT WITH THIS PROMISE, FOR THE PAST THREE YEARS, THE TMA HAS CELEBRATED COMMUNITY AND FAMILY, HOSTING ITS ANNUAL JUNETEENTH CULTURAL CELEBRATION. TO THIS END, THE ANNUAL JUNETEENTH CULTURAL CELEBRATION COMMEMORATES THE ENDING OF SLAVERY WHILE CELEBRATING THE CULTURAL CONTRIBUTIONS OF BLACK AND AFRICAN AMERICAN ARTISTS. AT THESE CELEBRATIONS FAMILIES AND ADULTS OF ALL AGES IMMERSE THEMSELVES IN RICH CULTURAL HISTORY THROUGH GALLERY PRESENTATIONS & ACTIVITIES, STORYTELLING, MUSIC, ART MAKING AND MORE. THE TMA HAS ALSO COMMITTED TO PURCHASING NEW MUSEUM WORKS BY ARTISTS OF COLOR FROM THE TAMPA COMMUNITY AS A PART OF THE TMA JUNETEENTH CELEBRATION. PAST ACQUISITIONS INCLUDE WORKS BY ARTISTS YA LA'FORD AND JAKE TROYLI. BEGINNING IN 2026, THE MUSEUM HAS CONSOLIDATED TWO IMPORTANT AND WELL-ATTENDED COMMUNITY PROGRAMS. ARTFUL CONNECTIONS IS THE NEW TITLE FOR THE MISSION AND VISION OF OUR ART-THERAPY-INFORMED PROGRAMS ART SPACE AND CONNECTIONS. OVER THE YEARS THOSE PROGRAMS REMAINED SEPARATE WITH ONE FUNDAMENTALLY BASED ON DISCUSSIONS IN THE GALLERY AND THE OTHER AN ART MAKING PROGRAM INSPIRED BY LEARNING ABOUT A SUBSET OF WORKS ON VIEW IN THE GALLERIES. PARTNERSHIPS AND COLLABORATORS REMAIN THE SAME AND ARE GROWING. TO HIGHLIGHT A FEW OF OUR COMMUNITY PARTNERS, THE TMA HAS HAD THE PRIVILEGE TO WORK WITH LONGSTANDING COLLABORATORS INCLUDING THE USF HONORS COLLEGE FOR THE CONNECTIONS PROGRAM. CONNECTIONS IS THE MUSEUM'S COMMUNITY ENGAGEMENT PROGRAM FOR INDIVIDUALS LIVING WITH DEMENTIA, ALZHEIMER'S, DEPRESSION, TRAUMA, OR PTSD. THROUGH CONNECTIONS, SENIORS, VETERANS, ACTIVE MILITARY AND ADULTS OF ALL AGES, ETHNICITIES, GENDER AND RACE PARTICIPATE IN OPEN DIALOGUE DISCUSSIONS IN THE GALLERIES SURROUNDING A GROUP OF THEMATICALLY LINKED WORKS OF ART. IN EXCHANGE FOR OFFERING TRAINING TO STUDENTS AT THE MUSEUM, USF HONORS COLLEGE PROVIDES A SALARY FOR A 15-HOUR-A-WEEK INTERN DURING THE ACADEMIC YEAR. THE MUSEUM LOOKS FORWARD TO PURSUING THE CREATIVE CONNECTIONS PROJECT IN 2025 WITH THE BLUE STAR FAMILIES TAMPA WHERE TMA AND BLUE STAR FAMILIES WILL WORK TOGETHER TO PROVIDE ART-THERAPY INFORMED PROGRAMMING BASED ON CURRENT MUSEUM EXHIBITIONS TO SELECTED COHORTS OF SERVICE MEMBERS, VETERANS AND THEIR CAREGIVERS. THE MUSEUM'S LONGEST-RUNNING COMMUNITY PROGRAM, ART SPACE, HAS SERVED THE TAMPA COMMUNITY SINCE 1993. ART SPACE BRINGS RESOURCES TO ENSURE ALL MEMBERS OF OUR COMMUNITY CAN EXPERIENCE A SAFE CREATIVE ENVIRONMENT THROUGH VIEWING WORKS OF ART FOLLOWED BY COMPLETION OF A STUDIO ART PROJECT. INDIVIDUALS WHO PARTICIPATE IN ART SPACE INCLUDE VICTIMS OF DOMESTIC VIOLENCE, HUMAN TRAFFICKING, HOMELESS ADULTS, AND CHILDREN IN FOSTER CARE. THE TMA ALSO PARTNERS WITH THE UNIVERSITY OF TAMPA ART THERAPY DEPARTMENT TO FACILITATE ART SPACE. COMMUNITY PARTNERS INCLUDE: THE SPRING, WHICH PROVIDES SUPPORT FOR VICTIMS OF DOMESTIC VIOLENCE; REDLANDS CHRISTIAN MIGRANT ASSOCIATION, A CHARTER SCHOOL THAT SERVES MIGRANT WORKERS; CHILDREN'S HOME NETWORK, WHICH PROVIDES SERVICES FOR AT-RISK CHILDREN AND FAMILIES INCLUDING CHILDREN AGING OUT OF THE FOSTER CARE SYSTEM; HYDE PARK UNITED METHODIST, WHICH PROVIDES SUPPORT FOR HOMELESS ADULTS; KINGS KIDS CHRISTIAN ACADEMY, A TITLE 1 PRE-SCHOOL; ACADEMY PREP OF TAMPA, LAKELAND & ST. PETE; AND COMMUNITY STEPPING STONES, A NONPROFIT THAT UTILIZES AN ARTS-INFUSED CURRICULUM. THE MUSEUM ALSO PARTNERS WITH THE CHILDREN'S BOARD OF HILLSBOROUGH COUNTY TO OFFER A FAMILY FREE DAY (FOUR PER YEAR) WHERE FAMILIES ARE WELCOME TO VISIT THE MUSEUM FOR FREE AND ENJOY HANDS-ON ART PROJECTS, LIVE MUSIC, STORY TIMES, AND INTERACTIVE GALLERY ACTIVITIES. AT EACH FAMILY FREE DAY, MUSEUM STAFF WORK TO CONTACT LOCAL NON-PROFITS TO HIGHLIGHT OUR RESOURCE SHOWCASE. THE RESOURCE SHOWCASE PROVIDES LOCAL PARTNERS WITH AN OPPORTUNITY TO SHARE INFORMATION AND REACH OUT TO VISITORS AND GUESTS DIRECTLY. SOME OF OUR REGIONAL PARTNERS ARE VOTE HILLSBOROUGH, REDEFINERS WORLD LANGUAGES, AND EASTERSEALS FLORIDA. THE MUSEUM REMAINS DEDICATED TO PROVIDING ACCESS TO ALL COMMUNITY MEMBERS, REMOVING FINANCIAL BARRIERS THROUGH FUNDING PROGRAMS LIKE MUSEUMS FOR ALL. SINCE JUNE 1, 2020, THE TMA BEGAN PARTICIPATING IN THE NATIONALLY RECOGNIZED MUSEUMS FOR ALL PROGRAM. THROUGH MUSEUMS FOR ALL, ANYONE RECEIVING SUPPLEMENTAL NUTRITION ASSISTANCE PROGRAM (SNAP) BENEFITS RECEIVES FREE ACCESS TO THE MUSEUM. THE MUSEUM ALSO PARTICIPATES IN THE BLUE STAR SUMMER PROGRAM WHICH GRANTS ACTIVE MILITARY, VETERANS, AND THEIR FAMILIES FREE ACCESS TO THE MUSEUM EACH YEAR BETWEEN ARMED FORCES DAY AND LABOR DAY. DISCOUNTED DAILY ADMISSION IS OFFERED TO ACTIVE MILITARY AND VETERANS DURING THE REST OF THE YEAR. THROUGH THE TMA YOUTH COUNCIL, A DIVERSE AND ENTHUSIASTIC GROUP OF AREA HIGH SCHOOL STUDENTS LEARNS ABOUT THE MUSEUM, DESIGNS AND IMPLEMENTS PROGRAMS FOR THEIR PEERS, AND ACTS AS MUSEUM AMBASSADORS. THE TMA YOUTH COUNCIL HAS BEEN WORKING TO PUT YOUTH IN ARTS SINCE 2016 WHEN IT WAS ESTABLISHED WITH 12 HILLSBOROUGH COUNTY HIGH SCHOOL STUDENTS. IN 2025, SIX YOUTH COUNCIL MEMBERS SPENT THE SUMMER LEARNING ABOUT CAREERS IN MUSEUMS, MET MUSEUM PROFESSIONALS, AND CREATED DYNAMIC PROGRAMMING FOR THEIR PEERS IN AN EXTENSIVE SUMMER SESSION. THEY MEET REGULARLY THROUGHOUT THE YEAR TO EXECUTE PROGRAMS HERE AT THE MUSEUM, INCLUDING A STUDENT EXHIBITION, A FILM FESTIVAL, AND A DROP-IN PROGRAM. THE COUNCIL IS SELECTED EACH YEAR THROUGH AN APPLICATION PROCESS. ART ON THE SPECTRUM IS A SPECIAL MONTHLY EVENT DESIGNED TO WELCOME INDIVIDUALS WITH SENSORY SENSITIVITIES, DEVELOPMENTAL DIFFERENCES, AND THEIR CAREGIVERS. GUESTS CAN ENJOY EXPLORING THE MUSEUM IN A CALM, LOW-CROWD ENVIRONMENT WITH SENSORY-FRIENDLY TOOLS AND SUPPORTIVE ASSISTANCE AVAILABLE. ART ON THE SPECTRUM IS HOSTED BY TMA IN PARTNERSHIP WITH THE CENTER FOR AUTISM & RELATED DISABILITIES (C.A.R.D.) AT THE UNIVERSITY OF SOUTH FLORIDA. FREE ADMISSION FOR ART ON THE SPECTRUM IS MADE POSSIBLE THANKS TO: THE AUTISM LICENSE PLATE FUND AND THE AUTISM SERVICES GRANTS COUNCIL. BLUE STAR MUSEUMS IS A PARTNERSHIP BETWEEN THE NATIONAL ENDOWMENT FOR THE ARTS AND BLUE STAR FAMILIES, IN COLLABORATION WITH THE DEPARTMENT OF WAR AND MUSEUMS ACROSS AMERICA, OFFERING FREE ADMISSION TO THE NATION'S ACTIVE-DUTY MILITARY PERSONNEL AND THEIR FAMILIES, INCLUDING NATIONAL GUARD AND RESERVE. THE PROGRAM TYPICALLY RUNS FROM ARMED FORCES DAY (MAY), THROUGH LABOR DAY. IN 2025, THE TMA DEVELOPED A POSTER EXHIBITION BASED ON ANCIENT ATHENS: BIRTHPLACE OF DEMOCRACY. THIS EXHIBITION IS PART OF AN ONGOING INITIATIVE SUPPORTED BY HILLSBOROUGH COUNTY COMMISSIONERS TO BRING ART TO THOSE WHO MAY NOT BE ABLE TO VISIT THE MUSEUM. DIGITIZED SELECTIONS OF THE TAMPA MUSEUM OF ART'S PERMANENT COLLECTION ARE DISPLAYED AT HILLSBOROUGH COUNTY PUBLIC LIBRARIES. STUDIO CLASSES AND ART CONVERSATIONS WITH CURATORS ARE SCHEDULED IN CONJUNCTION WITH THE EXHIBITIONS. EVERY THURSDAY FROM 4 TO 8 PM, THE TAMPA MUSEUM OF ART OFFERS ART ON THE HOUSE WHERE ADMISSION PRICES CHANGE TO PAY-AS-YOU-WILL, AND VISITORS CHOOSE WHATEVER ADMISSION PRICE THEY WANT TO PAY. FOR THE FIRST WEEKEND OF EVERY MONTH, THE TMA PARTICIPATES IN "MUSEUMS ON US" WITH BANK OF AMERICA. ACTIVE BANK OF AMERICA, MERRILL OR BANK OF AMERICA PRIVATE BANK CREDIT OR DEBIT CARDHOLDERS WITH A VALID PHOTO ID RECEIVE ONE FREE GENERAL ADMISSION TO THE TAMPA MUSEUM OF ART. THE TMA OFFERS DIVERSE ART-MAKING PROGRAMMING AT ITS ONSITE VINIK FAMILY EDUCATION CENTER, WHICH OFFERS YEAR-ROUND CLASSES FOR CHILDREN, TEENS, AND ADULTS. CLASSES ARE DESIGNED TO EXPLORE THEMES FROM EXHIBITIONS ON VIEW AT THE MUSEUM. COURSES CHANGE WITH EACH SESSION AND INCLUDE DRAWING AND PAINTING, TEEN WORKSHOPS, CERAMICS, PRINTMAKING, AND MORE! THE MUSEUM ALSO EXTENDS ITS EDUCATIONAL OFFERINGS INTO THE COMMUNITY AT OFFSITE LOCATIONS, INCLUDING BUT NOT LIMITED TO: THE CITY OF TAMPA GOLDING ART STUDIO AT THE SHANNA AND BRYAN GLAZER JCC; FIREHOUSE CULTURAL CENTER IN RUSKIN; ADDITIONAL PARKS THROUGHOUT HILLSBOROUGH COUNTY. CELEBRATING ITS THIRD YEAR IN 2025, STUDIO 55 PROGRAMMING AT THE TMA AND OUR OFFSITE PARTNER LOCATIONS OFFERS ART-MAKING CLASSES FOR ADULTS 55 AND OLDER. THESE CLASSES FOCUS ON SKILL BUILDING AS WELL AS CREATING A SPACE FOR SOCIAL INTERACTION TO HELP FIGHT ISOLATION AND LONELINESS IN OLDER ADULTS. DURING SUMMER ART CAMP, CAMPERS AGED 6-17 EXPLORE ART'S CLASSICAL TRADITIONS AND CONTEMPORARY CONCEPTS TO CREATE ORIGINAL WORKS INSPIRED BY GALLERY VISITS, THE MUSEUM LANDSCAPE, AND LAYERS OF ART HISTORY. ADULT CAMPS ARE NOW OFFERED AS PART OF THE STUDIO 55 PROGRAM. THE MUSEUM WELCOMES OVER 600 CAMPERS EACH SUMMER WITH OVER 38 DIFFERENT CAMP OFFERINGS. FORM 990, PART III, LINE 4A, DESCRIPTION OF PROGRAM SERVICE: K-12 TOURS AT THE TMA ARE OFFERED FREE TO SCHOOLS AND ORGANIZATIONS WHO BOOK GUIDED EXPERIENCES. TOURS USE OBJECT-BASED LEARNING TECHNIQUES TO BUILD CRITICAL THINKING SKILLS AND ARE PARTICIPANT-CENTERED. IN ADDITION TO TOURS FOR SCHOOL GROUPS, TMA OFFERS GUIDED TOUR EXPERIENCES FOR ADULT AND UNIVERSITY GROUPS. ALL TOURS ARE BESPOKE TO MEET GOALS AND NEEDS OF THE GROUP BOOKING THE EXPERIENCE. TO LEAD ENGAGING TOURS, TMA HAS AN ACTIVE DOCENT TRAINING PROGRAM. DOCENTS MEET AT THE MUSEUM REGULARLY TO LEARN FROM CURATORS ABOUT CURRENT AND UPCOMING EXHIBITIONS. ADDITIONALLY, THEY CONTINUE TO WORK WITH MUSEUM EDUCATORS TO LEARN THE LATEST TOUR BEST PRACTICES. THE TMA HOSTS TEACHER TRAINING OPPORTUNITIES THROUGHOUT THE YEAR. WORKING DIRECTLY WITH HILLSBOROUGH COUNTY SCHOOLS, TMA HOSTED TWO SUMMER TRAINING OPPORTUNITIES IN 2025. THE FIRST WAS AN OPPORTUNITY FOR TEACHERS TO LEARN ABOUT MUSEUM TOURS AND TO PRACTICE THINKING ROUTINES THAT COULD BE USED IN CLASSROOM CURRICULUM. THE SECOND WAS A TRAINING FOR THE FIRST-YEAR ART TEACHERS IN THE DISTRICT. IN ADDITION TO THE SUMMER TEACHER TOURS, THE TMA ALSO PROVIDED TEACHER PREVIEW DURING THE SCHOOL YEAR TO INFORM TEACHERS ABOUT EXHIBITIONS AND CONNECTIONS BETWEEN THE ART ON VIEW AND THEIR CURRICULUM. EXHIBITION LECTURES AND PANEL DISCUSSIONS INVITE LOCAL AND NATIONAL ART HISTORIANS, ARTISTS, CURATORS AND SPECIALISTS TO PRESENT IN-DEPTH EXPLORATIONS OF THEMES ASSOCIATED WITH CURRENT EXHIBITIONS. GALLERY TALKS TAKE PLACE VIRTUALLY OR IN THE GALLERIES. THESE PROGRAMS PROVIDE REGISTRANTS AND VISITORS WITH THE OPPORTUNITY TO HEAR FROM ARTISTS, CURATORS, AND EXPERTS FROM A VARIETY OF FIELDS AS THEY LOOK CLOSELY AT AN ARTWORK OR AN EXHIBITION FROM THE PERSPECTIVE OF THEIR EXPERTISE. THESE PROGRAMS MAY INCLUDE CONVERSATIONS BETWEEN COLLECTORS AND CURATORS; MUSICAL PERFORMANCES; AND PRESENTATIONS FROM EXHIBITION CURATORS AND STAFF. FORM 990, PART VI, SECTION B, LINE 11B THE FINANCE COMMITTEE OF THE BOARD OF TRUSTEES APPROVES THE FORM 990 BEFORE IT IS FILED. FORM 990, PART VI, SECTION B, LINE 12C ANNUALLY, THE MUSEUM SENDS THE CONFLICT OF INTEREST POLICY TO EACH BOARD MEMBER, WITH THE REQUIREMENT THAT IT MUST BE SIGNED AND RETURNED TO THE ORGANIZATION WITHIN 30 DAYS OF THE BOARD MEMBER'S RECEIPT OF POLICY. SERVICE ON THE BOARD IS CONTINGENT UPON THE COMPLETION OF THE FORM.ANY CONFLICTS ARE ELEVATED TO THE EXECUTIVE COMMITTEE FOR REVIEW AND DECISION. FORM 990, PART VI, SECTION B, LINE 15A THE EXECUTIVE COMMITTEE OF THE BOARD OF TRUSTEES ANNUALLY EVALUATES THE PERFORMANCE OF THE EXECUTIVE DIRECTOR IN PERSON AND PROVIDES THEM WITH FEEDBACK FROM THE EXECUTIVE COMMITTEE AND THE ENTIRE BOARD OF TRUSTEES RECEIVED DURING THE COURSE OF THE YEAR. COMPENSATION IS DETERMINED BY THE EXECUTIVE COMMITTEE AND IS BASED ON PERFORMANCE AND AN ANALYSIS OF COMPENSATION PAID FOR SIMILAR POSITIONS IN SIMILAR ORGANIZATIONS AS DETERMINED BY THE EXECUTIVE COMMITTEE. FORM 990, PART VI, SECTION C, LINE 18 THE MUSEUM MAKES ITS FORM 990 AVAILABLE TO THE PUBLIC UPON REQUEST AND ON THEIR WEBSITE. FORM 990, PART VI, SECTION C, LINE 19 THE MUSEUM ALLOWS THE PUBLIC TO VIEW ITS FORM 990 AND FINANCIAL STATEMENTS ON THEIR WEBSITE. FORM 990, PART XI, LINE 9: BAD DEBT EXPENSE -85,955. 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