2025-06-11T12:37:27-07:00 2024-09-30 990 2023-10-01 742689943 SAN ANTONIO MUSEUM OF ART SANA 2109788137 200 W Jones Avenue San Antonio TX 78215 Waris Mustafa CFO 2109788137 2025-06-02 1 2023 2025-03-06 01:10:19Z Waris Mustafa 200 West Jones Avenue San Antonio TX 78215 16858969 0 X www.samuseum.org X 1993 TX The San Antonio Museum of Art brings people together with art by collecting, preserving, and presenting significant works of art representing a broad range of history and cultures, advancing human connection and understanding, and inspiring curiosity, creativity, and discovery. 41 38 108 85 0 0 4647009 4283383 1573523 1673009 6818885 10736827 215960 165750 13255377 16858969 0 0 0 0 5003233 4558987 0 0 742076 4762841 4118314 9766074 8677301 3489303 8181668 80069324 87746807 1265369 958989 78803955 86787818 The San Antonio Museum of Art brings people together with art by collecting, preserving, and presenting significant works of art representing a broad range of history and cultures, advancing human connection and understanding, and inspiring curiosity, creativity, and discovery. 0 0 6274291 961711 The only encyclopedic art museum in South-Central Texas, SAMA houses more than 30,000 works spanning six continents and 5,000 years of human creative expression. The collection includes the foremost assemblage of art of the Ancient Mediterranean in the state, with important ancient Roman, Egyptian, Greek, Etruscan, and Near Eastern objects; the largest concentration of Asian art in Texas, with a particular strength in Chinese ceramics; and an unparalleled collection of Latin American art, with ~10,000 works covering pre-1500 Indigenous cultures, Colonial, and modern and contemporary-notably, SAMA opened the first center devoted to Latin American art in the U.S. American, contemporary, photography, African, Islamic, and Aboriginal Australian art are also well represented at the Museum. SAMA acquired 177 artworks in 2024, strengthening its global-facing collection and influence. Each year, the Museum presents temporary exhibitions, longer-range focus presentations, collection-based installations, and ~500 programs to meet the needs of its ever- growing audience. 272594 0 SAMA's 2024 exhibitions included: The Age of Armor: Treasures from the Higgins Armory Collection at the Worcester Art Museum, highlighting arms and armor in the golden age from the late Middle Ages to the Renaissance; Goddess Triptych Reunited, which centered three paintings by the late San Antonio-based artist Ángel Rodriguez-Díaz along with works from the Museum's Ancient Mediterranean collection, accentuating the feminine form across time, culture, and geography; Lovers & Fighters: Prints by Latino Artists in the SAMA Collection, exploring love, power, and struggle, and the significance of printmaking in Latino art history; Amalia Mesa-Bains: Archaeology of Memory, the first retrospective of the influential Chicana artist and cultural critic, featuring over 40 works in a range of media in a celebration of Mesa-Bains's important contributions to the field of contemporary art; and The World of Irreversible Change from international art collective teamLab making its US debut at SAMA, with the large participatory digital work presenting a birds-eye view of a virtual ancient city and its inhabitants and changing in real-time with the actions of viewers, the weather, and the time of day of its location. 204909 0 SAMA creates and delivers meaningful interpretive programs that connect people to art, ideas, and each other through a dynamic exhibition calendar, comprehensive global collection, and other mission-driven offerings. With a variety of year-round initiatives for adult, family, children, university/college, and other audiences, the ~500 engagements carried out in 2024 included: a suite of docent-led tours for preK-12, collegiate, and adult audiences, including a new "off the wall" series offering fresh takes on the Museum's permanent collection; artist talks; artmaking experiences; lectures and panel discussions; music, dance, theatre, and other cultural performances; educator workshops; film screenings; a Kids' Studio early childhood learning program; immersive Family Days and other intergenerational programs; ReCollections, a memory initiative for people experiencing Alzheimer's and dementia, as well as their families and caregivers; and Haven for Hope hands-on art workshops for women and children experiencing homelessness. All SAMA programming is designed to motivate discovery, learning, creativity, reflection, and exchange through the lens of art. 198063 0 In 2024, on-site visitation was ~148,000, with many more visitors engaging in artworks and programming virtually. Based on annual Museum data, 44% of visitors to SAMA reside in San Antonio, Bexar County, and surrounding counties; approximately 40% are from elsewhere in Texas; and 19% are from outside the state. Approximately 48% of Museum visitors self-identify as Hispanic/Latino or Indigenous, 35% as Caucasian, and 16% as African American, Asian, and other. Eight percent (8%) identify as military with increases each year. Data from recent exhibitions indicate that approximately one-third of Museum visitors have household incomes less than $50,000 and lack a college education. While attracting all age groups, SAMA draws most strongly from the 35-54 age group, including family households with children. The Museum is open Tuesday-Sunday from 10 am-5pm, except Tuesday and Friday when it remains open until 7 pm. In line with SAMA's 'access for all' mission, Bexar County residents receive free general admission during weekly Free Hours on Tuesdays 4-7pm and Sundays 10am-12pm. Children aged 12 and under always receive free admission. Free admission opportunities are integral to the Museum's charge to reach and engage all communities in Greater San Antonio, particularly those overlooked and under-resourced. To this end, SAMA also participates in two nationwide cultural admission programs for targeted individuals and families: Museums for All and Blue Star Museums. SAMA's membership currently numbers ~3,000 households, with participation and distinct benefits reflecting various membership levels. 198063 0 0 6949857 1 0 0 0 0 0 0 1 0 1 1 0 0 0 0 0 1 0 0 0 0 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 1 41 0 1 108 1 0 0 0 0 0 1 1 0 0 0 0 0 0 X 41 38 1 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 X X X Waris Mustafa 2109788137 200 W Jones Avenue San Antonio TX 78215 Emily Neff Kelso Director 40 0.00 X X 274722 0 27287 Waris Mustafa Chief Financial Officer 40 0 X X 140929 0 20054 Lisa Abel Chief Development Officer 40 0 X X 152199 0 5286 Lamont Jefferson Vice Chair 2 0 X 0 0 0 Roxanna Richardson Secretary 1 0 X 0 0 0 Ed Hart Chair 2 0 X 0 0 0 Wendy Weil Atwell Trustee 1 0 X 0 0 0 Martha Avant Trustee 1 0 X 0 0 0 Brenda Betts Trustee 1 0 X 0 0 0 Jorge del Alamo Trustee 1 0 X 0 0 0 Thomas Edson Trustee 1 0 X 0 0 0 Chave Gonzaba Trustee 1 0 X 0 0 0 Marie Halff Trustee 1 0 X 0 0 0 Jason Harris Trustee 1 0 X 0 0 0 Cecilia Herrera Trustee 1 0 X 0 0 0 Karen Herrmann Trustee 1 0 X 0 0 0 Emily Jones Trustee 1 0 X 0 0 0 Jennifer Kelley Trustee 1 0 X 0 0 0 Rosario Laird Trustee 1 0 X 0 0 0 May Lam Trustee 1 0 X 0 0 0 Carolina Roberts Lewis Trustee 1 0 X 0 0 0 Kim Lewis Trustee 1 0 X 0 0 0 Jane Macon Trustee 1 0 X 0 0 0 Katherine Moore McAllen Trustee 1 0 X 0 0 0 Prentice Huntington Miller Trustee 1 0 X 0 0 0 Bruce Mitchell Trustee 1 0 X 0 0 0 Dacia Napier Trustee 1 0 X 0 0 0 Elizabeth McAllen Roberts Trustee 1 0 X 0 0 0 Harriett Romo Trustee 1 0 X 0 0 0 Ambassador Sichan Siv Trustee 1 0 X 0 0 0 Sidney Swearingen Trustee 1 0 X 0 0 0 Emory Hamilton Life Trustee 1 0 X 0 0 0 Rose Marie Hendry Life Trustee 1 0 X 0 0 0 Karen Hixon Life Trustee 1 0 X 0 0 0 Claudia Huntington Life Trustee 1 0 X 0 0 0 Banks Smith Life Trustee 1 0 X 0 0 0 Hector Rivero Borrell Honorary Trustee 1 0 X 0 0 0 Robert Hammond Honorary Trustee 1 0 X 0 0 0 Toby O'Connor Honorary Trustee 1 0 X 0 0 0 Nelson Rockefeller Jr Honorary Trustee 1 0 X 0 0 0 William Scalan Jr Honorary Trustee 1 0 X 0 0 0 567850 0 52627 4 0 1 0 CPS Energy P O BOX 2678 SAN ANTONIO TX 78289 Electric and Gas Utilities 327653 Noisy Trumpet 7550 West Interstate 10 Suite 505 San Antonio TX 78229 Advertising Agency 146559 Tech3 Business Systems 10235 W Little York Rd Ste 430 Houston TX 77040 IT Services 153580 The PM Group 7550 W Interstate 10 Ste 510 San Antonio TX 78229 Advertising and Marketing 105662 Worcester Art Museum 55 Salisbury St Worcester MA 01609 Art museum 102379 5 0 762462 0 0 415836 3105085 0 4283383 Admission 900099 795961 795961 0 0 Program Fees 900099 877048 877048 0 0 0 0 0 0 1673009 10736827 10736827 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 165750 0 165750 165750 0 0 0 16858969 12575586 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 3834115 2870375 619228 344512 53390 36935 13170 3285 307695 238079 40457 29159 363787 278720 52097 32970 0 0 0 0 11295 0 11295 0 57238 0 57238 0 0 0 0 0 0 0 63118 9697 16132 37289 411250 366826 14746 29678 317440 317440 0 0 181786 72885 42305 66596 311227 311096 0 131 0 0 0 0 471267 466628 3410 1229 111648 79377 30546 1725 0 0 0 0 8185 2235 5950 0 0 0 0 0 0 0 0 0 923596 911242 5902 6452 145554 145554 0 0 Contractors 364394 226989 47367 90038 Equipment Services 191129 190796 3 330 Exhibition 325427 272144 0 53283 Conservation 11846 11846 0 0 211914 140993 25522 45399 8677301 6949857 985368 742076 7814534 8511858 1410184 807777 0 0 0 0 128496 131088 214165 177152 44189483 27075950 17992839 17113533 52509106 61005399 0 0 0 0 80069324 87746807 420239 400626 0 0 845130 558363 0 0 0 0 0 0 0 0 0 0 1265369 958989 X 22118844 21447004 56685111 65340814 78803955 86787818 80069324 87746807 X 8181668 -197805 X 1 X 1 X 1 0 X 5717473 7152194 4723376 4647013 4283383 26523439 5717473 7152194 4723376 4647013 4283383 26523439 7108388 19415051 1040512 695571 689996 810429 10736827 13973335 0 0 75869 238484 146351 227195 877048 1564947 42061721 7929452 0.46158 0.62302 X Schedule A, Part II, Line 10 This is miscellaneous income that includes things such as fees charged for museum classes and lectures. 0 0 X X X 0 52509106 0 10917223 0 2240534 180396 61005399 46904362 260000 7262982 0 -1754366 -163874 56345584 62274634 278488 -12456510 0 3192250 3192250 43712112 55806404 554274 8833084 0 2728333 190795 62274634 55391727 2068954 4386239 0 2152993 152979 59540948 0 0.66 0.34 1 0 4533074 0 4533074 38166896 0 27075950 11090946 0 0 0 0 1489513 0 0 1489513 0 0 0 0 17113533 16858969 0 0 0 0 0 16858969 0 0 0 16858969 8677301 0 0 0 0 0 8677301 0 0 0 8677301 Schedule D, Part III, Line 1 In conformity with industry practice, museum collections items purchased or donated are not recorded as assets in the accompanying Statement of Financial Position. Even though not reflected, the Museum's collections represent one of its most valuable assets. Purchases of collection items are reported as decreases in unrestricted net assets or as decreases in temporary restricted net assets if the assets used to purchase the items were restricted by donors. It is the Museum's policy not to sell collection items. Any proceeds from deaccessions or insurance recoveries are reflected as increases in the appropriate net asset classes. The Museum employs full-time employees to manage the stewardship of the collections items in accordance with the collection and acquisition policy and under the direction of the executive director and board of directors. Each item is numbered and catalogued in a continuous inventory tracking system. Schedule D, Part III, Line 4 The Museum's collection is encyclopedic in that it spans time frames from antiquities to modern art, and includes works from a variety of cultures and countries of origin. It is comprised of statues, paintings, works in ceramics and other media. Schedule D, Part V, Line 4 Each year the Board traditionally allows the museum to draw 4.5% of the endowment. Draws may be spent according to the restrictions placed by the donor on those funds, those generally being support of the museum operations, costs of exhibitions and the cost of acquisition of art. Unspent portions of the 4.5% funds can be carried forward to subsequent years of expenditure. In unusual circumstances, the Board has authorized additional amounts to be drawn from the Endowment. 0 0 0 0 0 0 0 0 0 Emily Neff Kelso Director 274722 0 0 0 27287 0 0 0 0 0 302009 0 0 0 Lisa Abel Chief Development Officer 152199 0 0 0 5286 0 0 0 0 0 157485 0 0 0 Waris Mustafa Chief Financial Officer 140929 0 0 0 20054 0 0 0 0 0 160983 0 0 0 Schedule J, Part I, Line 3 Board of Trustees approves compensation for the Executive Director. X 536 0 none 0 0 1 0 Schedule M, Part I, Line 33 All art is held without value on the Statement of Financial Position so no revenue is recognized for art. Form 990, Part VI, Section A, Line 2 Elizabeth Roberts and Carolina Roberts Lewis are mother and daughter. Pentice Huntington Miller and Claudia Huntington are daughter and mother. Marie Halff and Sidney Swearingen are cousins Form 990, Part VI, Section B, Line 11b The Finance Committee received the Form 990 in advance and reviews it. It is then sent to the full Board before it is filed. Form 990, Part VI, Section B, Line 12c The annual conflict of interest forms are reviewed by a staff member, and if any potential conflicts are noted, they are disclosed to the Board Chair. Form 990, Part VI, Section B, Line 15 The Board decides the compensation of the CEO, including any salary adjustments for bonuses. Salary surveys from national museums are used as a basis of an appropriate salary. In the budget process, salaries for other key staff are discussed with the Finance Committee. Form 990, Part VI, Section C, Line 19 The Form 990 and the audited financial statements are included on the website. They are also summarized in the Annual Report, which is also posted on the website. The governing documents and conflict of interest policy are not on the website but are made available upon request. Form 990, Part XI, Line 9 This amount reflects purchases of art not capitalized. Extension was filed and approved.