2025-01-16T10:53:41-06:00 2024-08-31 411647057 MAHONEY ULBRICH CHRISTIANSEN & RUSS PA 10 RIVER PARK PLAZA SUITE 800 SAINT PAUL MN 55107 990 2023-09-01 411727881 THEATER MU INCORPORATED THEA 6517891012 755 PRIOR AVENUE NORTH 107 SAINT PAUL MN 55104 ANH-THU PHAM MANAGING DIRECTOR 6517891012 2025-01-15 1 1 MARC A KOTSONAS P00544551 6512276695 2025-01-15 2023 2024-10-15 13:58:12Z ANH-THU PHAM 755 PRIOR AVENUE NORTH 107 SAINT PAUL MN 55104 1387666 0 X WWW.THEATERMU.ORG X 1992 MN THEATER MU PRODUCES GREAT PERFORMANCES BORN FROM THE HEART OF THE ASIAN AMERICAN EXPERIENCE. 6 6 63 64 0 0 1255205 1288001 187556 96370 0 0 0 -4276 1442761 1380095 0 0 0 0 727940 713278 0 0 217834 591586 544517 1319526 1257795 123235 122300 1233636 1334446 70890 58582 1162746 1275864 X THEATER MU PRODUCES GREAT PERFORMANCES BORN OF ARTS, EQUITY, AND JUSTICE FROM THE HEART OF THE ASIAN AMERICAN EXPERIENCE. 0 0 802248 96370 THEATER MU PRODUCES GREAT PERFORMANCES BORN OF ART, EQUITY, AND JUSTICE FROM THE HEART OF THE ASIAN AMERICAN EXPERIENCE. MU OPERATES WITH THE FOLLOWING PRIMARY ARTISTIC VALUES AND GOALS: TO GIVE VOICE AND CULTURAL PROFILE TO THE ASIAN AMERICAN COMMUNITY; TO DEVELOP AND NURTURE THE EMERGING ASIAN AMERICAN ARTISTIC WORKFORCE; TO PROMOTE AWARENESS OF AND PROGRESSIVE ACTION ON ISSUES OF SOCIAL JUSTICE IN SOCIETY; AND TO MOVE, PROVOKE, AND CHALLENGE AUDIENCES TO UNDERSTAND, EMBRACE, AND CELEBRATE DIVERSITY. THE 2023-2024 SEASON CONTINUED MU'S WORK OF "WIDENING CIRCLES" OF ASIAN AMERICAN REPRESENTATION BY PROGRAMMING A SEASON MADE ALMOST ENTIRELY OF WORLD PREMIERES, INCLUDING THE TWO MAINSTAGE PRODUCTIONS (HELLS CANYON BY KEIKO GREEN AND BLENDED (HARMONY): THE KIM LOO SISTERS BY JESSICA HUANG AND JACINTHE GREYWOODE, A CO-PRODUCTION WITH HISTORY THEATER), AND THE NAME JAR, A PLAY FOR YOUNG AUDIENCES PRODUCED IN COLLABORATION WITH STAGES THEATER COMPANY. IN ADDITION TO THESE, THEATER MU ALSO COLLABORATED WITH WALKER ART CENTER TO PRESENT A TOURING PRODUCTION OF THE NOSEBLEED, WRITTEN AND STARRING AYA OGAWA. EACH OF THESE SHOWS WERE MET WITH CRITICAL AND AUDIENCE ACCLAIM. ONE AUDIENCE MEMBER DESCRIBED THEATER MU'S PRODUCTION OF HELLS CANYON AS "SO THOUGHT PROVOKING. I WILL BE THINKING ABOUT THE MANY LAYERS OF THIS PLAY FOR A LONG TIME." OTHER AUDIENCES WERE MOVED BY THE STUNNING THEATRICALITY OF THE PLAY, WITH SOME SAYING "IT WAS THE BEST PERFORMANCE THAT MY CHILDREN AND I HAVE EVER BEEN TO, AND THAT INCLUDES ON BROADWAY IN NEW YORK." SPEAKING OF HOW MOVED THEY WERE TO BE A PART OF AN ASIAN AMERICAN PRODUCTION, ONE ACTOR WORKING ON BLENDED (HARMONY): SAID, "WHO KNEW BEING ASIAN AMERICAN WAS ENOUGH? I DIDN'T UNTIL THE FIRST DAY OF REHEARSAL. NO OTHER PRODUCTION CAN RECREATE THE MAGIC, ART, LOVE, AND PRIDE FELT IN BLENDED." THIS SEASON, OVER ONE-THIRD OF MU AUDIENCES SELF-IDENTIFIED AS BEING PART OF THE LGBTQ+ COMMUNITY. THEATER MU IS PROUD TO HAVE SUCH A PROMINENT DEMOGRAPHIC IN REGULAR ATTENDANCE AT MU SHOWS, AND SEEKS TO CONTINUE FOSTERING A POSITIVE RELATIONSHIP WITH QUEER ASIAN AMERICANS IN OUR COMMUNITY. THIS HAS CARRIED MU TOWARDS A 2024-2025 SEASON THAT FOCUSES ON QUEER AND SOUTH ASIAN STORIES, AS PART OF MU'S COMMITMENT OF WIDENING CIRCLES. IN THE 2024-2025 SEASON, MU WILL PRESENT TWO MAINSTAGE PRODUCTIONS AND TWO PRESENTATIONS IN COLLABORATION WITH OTHER THEATERS IN AND AROUND THE TWIN CITIES, AS WELL AS CONTINUING THE ANNUAL TRADITION OF THE NEW EYES FESTIVAL WITH A REFRESHED SUBMISSION PROCESS. FIRST UP IN THE 2024-2025 SEASON IS THE NEW EYES FESTIVAL, MU'S LONGEST RUNNING TRADITION. NEW EYES FESTIVAL IS AN EVENT BELOVED BY THE MU COMMUNITY, IN WHICH AUDIENCES GET TO HEAR NEW PLAYS READ OUT LOUD BY ACTORS IN A LAID-BACK ATMOSPHERE THAT ALLOWS FOR THE STORY TO BE HEARD WITHOUT FULL SETS, COSTUMES AND LIGHTS. THIS SEASON, THE NEW EYES FESTIVAL USED A SUBMISSION-BASED MODEL FOR THE FIRST TIME SINCE 2006. THE GOAL OF PIVOTING TO A SUBMISSION PROCESS IS TO LEVEL THE PLAYING FIELD AND INCREASE THE NUMBER OF OPPORTUNITIES THAT THEATER MU CAN OFFER TO ASIAN AMERICAN PLAYWRIGHTS.FOLLOWING NEW EYES FESTIVAL, THE FIRST MAINSTAGE PRODUCTION OF THE SEASON IS THE WORLD PREMIERE OF FIFTY BOXES OF EARTH BY ANKITA RATURI, PRODUCED WITH SUPPORT FROM A GRANT FROM THE PLAYWRIGHTS' CENTER VENTUROUS FUND WHICH SEEKS TO SUPPORT PLAYS THAT ARE "FORMALLY ADVENTUROUS, EPIC IN SCOPE, AND FULL OF BOLD IDEAS." INSPIRED IN PART BY BRAM STOKER'S DRACULA, THE STORY CENTERS AROUND AN IMMIGRANT NAMED Q FROM AN UNIDENTIFIED COUNTRY WHO TRAVELS TO THE UNITED STATES. Q PREPARES EARTH IN A COMMUNITY GARDEN IN PREPARATION FOR THE ARRIVAL OF THEIR SON AND MOTHER; WHILE THERE, Q BUILDS A FRIENDSHIP WITH THEIR NEW NEIGHBOR MINA HARKER AND BATTLES XENOPHOBIA FROM HER FATHER, JON. THIS PLAY WILL BE A VISUAL FEAST, INCLUDING PUPPETRY DESIGN BY OANH K. VU AND CHOREOGRAPHY BY ANANYA CHATTERJEA. FOR THE THIRD YEAR IN A ROW THEATER MU WILL COLLABORATE WITH STAGES THEATER COMPANY IN HOPKINS, MN ON A YOUTH PLAY. THE WORLD PREMIERE OF WHEN YOU TRAP A TIGER IS BASED ON THE NOVEL BY TAE KELLER AND ADAPTED FOR THE STAGE BY KATIE HAE LEO. THIS STORY FOR YOUNG AUDIENCES FOLLOWS LILY, A YOUNG GIRL TRYING TO SAVE HER DYING GRANDMOTHER THROUGH STORIES SHE LEARNS FROM HER GRANDMOTHER'S PAST. THEATER MU WILL NEXT PRODUCE DIANA SON'S GLAAD AND OBIE AWARD WINNING PLAY STOP KISS. THE PLAY IS A BELOVED CANONICAL WORK THAT CENTERS TWO QUEER WOMEN AND THEIR RELATIONSHIP BEFORE AND AFTER THEY ARE THE VICTIMS OF A HATE CRIME. STOP KISS HAS BEEN READ AND PERFORMED ALL OVER THE COUNTRY COUNTLESS TIMES SINCE ITS PUBLICATION IN 1999, BUT IS RARELY PRODUCED WITH AN ASIAN AMERICAN LEAD CAST DESPITE BEING WRITTEN BY AN ASIAN AMERICAN PLAYWRIGHT. THEATER MU SEEKS TO CELEBRATE THIS NECESSARY STORY AS PART OF THE ASIAN AMERICAN THEATER CANON. ROUNDING OUT THE SEASON IS A PRESENTATION OF ADIL MANSOOR'S AMM(I)GONE PRODUCED BY WOOLLY MAMMOTH THEATRE COMPANY & PLAYCO IN ASSOCIATION WITH THE KELLY STRAYHORN THEATER. THIS CO-PRESENTATION WITH THE JUNGLE THEATER OF ADIL'S ONE-PERSON, AUTOBIOGRAPHICAL SHOW RECONCILING HIS QUEERNESS WITH HIS MOTHER THROUGH THE LENS OF THE GREEK CLASSIC ANTIGONE IS POWERFUL CAP TO OUR SEASON OF SOUTH ASIAN QUEER STORIES. IN ADDITION TO THESE PRODUCTIONS AND PRESENTATIONS, THEATER MU WILL ALSO SPEND THE 2024-25 SEASON SUPPORTING COMMISSIONS OF SEVERAL NEW PLAYS, INCLUDING PARANORMAL INSIDE BY PRINCE GOMOLVILAS, KUNG FU ZOMBIES VS. SOUTHEAST ASIAN GIRL SCOUTS BY MELLON FOUNDATION PLAYWRIGHT-IN-RESIDENCE SAYMOUKDA DUANGPHOUXAY VONGSAY, AND A NEW ADAPTATION OF PRIDE AND PREJUDICE BY MAY LEE YANG. THROUGH A GRANT FROM THE JOYCE AWARD, THEATER MU WILL ALSO SUPPORT THE DEVELOPMENT OF HMONG FUTURES, A LANDMARK PLAY BY KATIE KA VANG TO COMMEMORATE THE 50TH ANNIVERSARY OF HMONG RESETTLEMENT IN THE UNITED STATES. MU IS ALSO COMMITTED TO TRAINING THE NEXT GENERATION OF ASIAN AMERICAN ARTISTS. IN ADDITION TO CREATING A SPACE WHERE EARLY CAREER ASIAN AMERICAN ARTISTS CONTINUE TO TRAIN AND HONE THEIR SKILLS THROUGH THE MU TRAINING INSTITUTE, MU OFFERS ARTISTS ON-THE-JOB TRAINING IN THE FORM OF PRODUCTION ASSISTANTSHIPS, INTERNSHIPS AND FELLOWSHIPS IN MULTIPLE DEPARTMENTSACTING, DIRECTION, DRAMATURGY, DESIGN, AND STAGE MANAGEMENT. THEATER MU'S OUTREACH STRATEGY BEGINS WITH ITS THOUGHTFUL SEASON SELECTION OF DIVERSE ASIAN AMERICAN PLAYS. FROM THERE, IT WORKS WITHIN THE COMMUNITY TO EDUCATE, DEVELOP RELATIONSHIPS, IDENTIFY AND ELIMINATE BARRIERS, AND DEEPLY ENGAGE. THE COMPANY STRUCTURES THIS ENGAGEMENT AROUND EDUCATIONAL PROGRAMS DESIGNED FOR THE ASIAN AMERICAN COMMUNITY TO SEE THEMSELVES AND PARTICIPATE IN MU'S STORYTELLING, AS WELL AS PUBLIC ENGAGEMENT PROGRAMS, DESIGNED TO INTRODUCE MU'S WORK TO THE LARGER TWIN CITIES COMMUNITY IN A VARIETY OF SETTINGS. EDUCATIONAL PROGRAMMING INCLUDES: - MU EXPLORATIONS SUMMER CAMP. EACH SUMMER MU HOLDS A MULTIPLE-WEEK THEATER INTENSIVE FOR STUDENTS ENTERING GRADES 3-12. PARTICIPANTS HONE PERFORMANCE SKILLS WITH PROFESSIONAL ASIAN AMERICAN THEATER EDUCATORS, AND CREATE SHOWCASES AND PERFORMANCES FOR FAMILY AND FRIENDS. FOR MANY PARTICIPANTS, IT WAS THE FIRST TIME THEY COULD SEE A PLACE FOR THEMSELVES IN AMERICAN THEATER, LEARNING ABOUT AND CREATING ART IN AN AAPI AFFINITY SPACE. - MU STORIES. DESIGNED FOR GRADES 3-12, THESE PROGRAMS ARE OFFERED THROUGH DIVERSE PUBLIC SCHOOLS AND WEEKEND LANGUAGE SCHOOLS. FOCUSING ON BASIC THEMES INCLUDING IDENTITY, RACISM, IMMIGRATION, ASSIMILATION, GENDER EQUITY, FAMILY, FRIENDS, AND RELATIONSHIPS, THESE CLASSES WITH EXPERIENCED AAPI ARTISTS INCLUDE PLAY, THEATER GAMES, PHYSICAL WARM-UPS, AND IMAGINATION EXERCISES. PERSONAL STORIES AND EXPERIENCES ARE SHARED AND WRITTEN INTO PLAYS PERFORMED FOR FAMILY, FRIENDS, AND COMMUNITY MEMBERS. IN THE END, STUDENTS HAVE EXPERIENCE WITH ACTING, WRITING, AND PRODUCING PLAYS, AS WELL AS SHARING THEIR STORIES AND FINDING THEIR VOICES. MANY TEACHERS HAVE EXPRESSED THAT FORMERLY SILENT STUDENTS WERE ACTIVE AND ENGAGED AFTER PARTICIPATION.- MU TRAINING INSTITUTE. MU TRAINING INSTITUTE (MTI) OFFERS SELF-DEVELOPMENT AND TRAINING OPPORTUNITIES DESIGNED FOR WORKING AND ASPIRING BIPOC ARTISTS (16+). TOPICS CAN INCLUDE THEATER COURSES, INTENSIVE ACTING WORKSHOPS, AND DRAMATIC LITERATURE IN THE ASIAN AMERICAN CANON. WE SHINE THE SPOTLIGHT ON BIPOC-LED THEATER BY CREATING A NURTURING SPACE FOR INDIVIDUALS TO LEARN BY TAKING RISKS AND BEING OPEN, IN A SUPPORTIVE ARTISTIC ENVIRONMENT. IN THE 2023-2024 SEASON, THEATER MU OFFERED FOUR MTI CLASSES: ACTING AS A CAREER; INTRODUCTION TO DEVISED THEATER; MUSICAL THEATER WITH KATIE BRADLEY; AND INTRODUCTION TO THE SUZUKI METHOD OF ACTING WITH KT SHORB. 802248 1 1 0 0 0 0 0 0 0 0 1 0 0 0 1 1 1 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 1 7 0 63 1 0 0 0 0 0 0 0 0 0 0 0 0 X 6 6 0 0 0 0 0 0 0 1 1 0 0 1 1 1 1 1 1 1 1 0 MN X ANH-THU-PHAM 6517891012 755 PRIOR AVENUE NORTH 107 SAINT PAUL MN 55104 RUTHIE JOHNSON BOARD CHAIR 0.50 X X 0 0 0 NONOKO SATO TREASURER 0.50 X X 0 0 0 CURTIS KLOTZ DIRECTOR 1.00 X 0 0 0 JON F JEE SCHILL DIRECTOR 0.50 X 0 0 0 ELIZABETH HANG DIRECTOR 0.50 X 0 0 0 GABRIELLE RYAN DIRECTOR 0.50 X 0 0 0 ANH THU PHAM MANAGING DIRECTOR 40.00 X 99071 0 9912 LILY TUNG CRYSTAL ARTISTIC DIRECTOR 40.00 X 89137 0 17265 188208 0 27177 0 0 0 0 0 14750 511474 761777 1288001 TICKET SALES 711110 61609 61609 OUTREACH 900099 25108 25108 OTHER 900099 9653 9653 96370 3295 14750 7571 -4276 -4276 1380095 96370 0 -4276 X 227991 105537 83186 39268 384585 261365 30945 92275 55281 40970 3267 11044 45421 27536 7665 10220 54795 54795 195781 135921 28268 31592 12140 9712 2428 33837 15494 4478 13865 31576 19143 5328 7105 557 557 24588 15982 4918 3688 16391 11798 3945 648 22885 12755 6418 3712 2412 1399 434 579 8164 4949 1378 1837 PRODUCTION COSTS 138690 138690 MISCELLANEOUS 2701 440 260 2001 1257795 802248 237713 217834 174912 6310 397255 863474 612126 400853 157 117 4513 13668 14446 10658 3357 3788 41316 46236 1233636 1334446 38640 26178 6260 1680 25990 30724 70890 58582 X 10665 451944 1152081 823920 1162746 1275864 1233636 1334446 X 122300 -9182 X 0 1 X 1 0 X 822347 775025 844336 1255205 1288001 4984914 822347 775025 844336 1255205 1288001 4984914 1448357 3536557 7524 7524 4992438 491694 0.70840 0.71740 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED 14446 10658 3788 3788 LEASE LIABILITY 30724 30724 X 1219985 0 1219985 0 1219985 1257795 0 1257795 0 1257795 PART X, LINE 2: MANAGEMENT BELIEVES THEATER MU DID NOT HAVE ANY UNRELATED BUSINESS INCOME IN 2024 OR 2023. THEATER MU BELIEVES THAT IS HAS APPROPRIATE SUPPORT FOR ANY TAX POSITIONS TAKEN, AND ACCORDINGLY, DOES NOT HAVE ANY UNCERTAIN TAX POSITIONS THAT ARE MATERIAL TO THE FINANCIAL STATEMENTS. BLOCK PARTY 18045 14750 3295 1250 3986 2335 18045 14750 3295 1250 3986 2335 7571 -4276 FELLOWSHIPS. THEATER MU IS COMMITTED TO NUTURING THE NEXT GENERATION OF ASIAN AMERICAN THEATER ARTISTS, BOTH ON AND BEYOND THE STAGE. ON A MAINSTAGE PRODUCTION, THEATER MU WILL PAIR ONE OR MORE LEAD DESIGNERS WITH A FELLOW OR ASOR ASSISTANT WITH THE GOAL OF FOSTERING A PRODUCTIVE MENTOR/MENTEE RELATIONSHIP. IN THE 2023-2024 SEASON, THEATER MU HIRED FIVE FELLOWS: TWO ASSISTANT DIRECTORS/DIRECTING FELLOWS, TWO ACTING FELLOWS, AND ONE PROJECTIONS FELLOW. PUBLIC ENGAGEMENT PROGRAMMING INCLUDES: - TALKBACKS. FOR EACH PRODUCTION, WE ARRANGE OPPORTUNITIES FOR AUDIENCES TO STAY FOR TALKBACKS WITH ACTORS, DIRECTORS, PLAYWRIGHTS, AND COMMUNITY MEMBERS. - MEET AND GREETS. MU'S FIRST REHEARSALS ARE ALWAYS OPEN TO THE PUBLIC TO GIVE THEM A CHANCE TO MEET ACTORS AND DESIGNERS, TO ASK QUESTIONS, AND TO DIVE DEEPER INTO THE CONTENT OF A PLAY BEFORE ENTERING THE THEATER. - WORKSHOPS AND CORPORATE PROGRAMS. DESIGNED TO BE OFFERED AT A COLLEGE OR CORPORATE LEVEL, WORKSHOPS ARE CENTERED AROUND LEADERSHIP TRAINING, TEAM COLLABORATION, PUBLIC SPEAKING, AND OTHER TOPICS THAT CAN BE INFORMED THROUGH SKILLS LEARNED IN THEATER. ARTIST-LED PROGRAMS INCLUDE MUSICAL PERFORMANCES, READINGS, AND/OR PANELS WITH MU ARTISTS, OFTEN FOCUSED AROUND ISSUES OF EQUITY, RACE, REPRESENTATION, AND THE ASIAN AMERICAN EXPERIENCE IN MINNESOTA. TAUGHT BY ARTISTIC DIRECTOR LILY TUNG CRYSTAL OR MU'S TOP TEACHING ARTISTS, THESE ARE VALUABLE TOOLS FOR ASIAN AFFINITY GROUPS TO SERVE THEIR EMPLOYEES, AND ARE ALSO USEFUL FOR CONFERENCES. FAMILY ARTS ACTIVITIES. MU TEACHING ARTISTS LEAD ENGAGING ARTS ACTIVITIES FOR INTERGENERATIONAL GROUPS AT MU OR COMMUNITY PARTNER FAMILY EVENTS. ACTIVITIES ARE SMALL-GROUP BASED AND MAY INCLUDE STORY CIRCLES, A DANCE CLASS, PUPPET-BUILDING, AND MORE, CONNECTING FAMILIES TO THEATER AS A RELEVANT AND POWERFUL MEANS OF EXPRESSION. MU HAS CONTINUED TO TRACK ONGOING ENGAGEMENT, RELATIONSHIP GROWTH, AND COMMUNITY RESPONSE WITH OVER 25 COMMUNITY PARTNERS. IT CONSISTENTLY EVALUATES ITS RELATIONSHIP WITH EACH OF ITS PARTNERS, AND PRIORITIZES CONNECTION AND PROGRAM DEVELOPMENT. MU HAS DEVELOPED RELATIONSHIPS OVER TIME TO FACILITATE EACH OF THE ABOVE PROGRAMS. COMMUNITY PARTNERS ARE KEY, AS REACHING OUT TO ESTABLISHED GROUPS KEEPS THE STAFF FROM HAVING TO DEVELOP THOSE GROUPS ON ITS OWN, WHICH WOULD DRAIN RESOURCES. MU ALSO USES ONGOING AND DEVELOPING RELATIONSHIPS WITH SCHOOLS, LIBRARIES, CORPORATIONS, AND OTHER INSTITUTIONS FOR OUTREACH PERFORMANCES AND WORKSHOPS. IT IS ALSO A MEMBER OF THE CONSORTIUM OF ASIAN AMERICAN THEATERS AND ARTISTS (CAATA) AND THE TWIN CITIES THEATRES OF COLOR COALITION, ALONGSIDE NEW NATIVE THEATRE, PANGEA WORLD THEATER, PENUMBRA THEATRE, AND TEATRO DEL PUEBLO. THE COALITION FORMED TO BUILD KNOWLEDGE, CAPACITY, AND TAKE ACTION AROUND THE CHALLENGES AND OPPORTUNITIES OF DIVERSIFICATION IN THE AMERICAN THEATER. IT LEADS CONVERSATIONS TO BOLSTER RESPONSIBLE AND ACCOUNTABLE ENGAGEMENT AROUND THE REPRESENTATION OF ITS COMMUNITIES AND WORKS WITH SOME OF MINNESOTA'S AND THE NATION'S FOUNDATIONS TO REDEFINE FUNDING TO BECOME MORE EQUITABLE. MU'S IMPACT IS HEARD AND SEEN BOTH NATIONALLY AND LOCALLY. AS MU CELEBRATES ITS 30TH ANNIVERSARY, ITS LEADERSHIP, STAFF, BOARD, AND ARTISTS ARE GRATEFUL AND HONORED TO TAKE A COMPANY THAT'S NOT ONLY SURVIVING, BUT THRIVING, INTO THE NEXT THREE DECADES. FORM 990, PART VI, SECTION B, LINE 11B THE BOARD OF DIRECTORS WILL REVIEW AND DISCUSS FORM 990 BEFORE IT IS SIGNED AND SUBMITTED. FORM 990, PART VI, SECTION B, LINE 12C THE MANAGING DIRECTOR OBTAINS ANNUAL UPDATES FROM THE MEMBERS OF THE BOARD OF DIRECTORS. FORM 990, PART VI, SECTION B, LINE 15 COMPENSATION FOR THE ARTISTIC DIRECTOR AND MANAGING DIRECTOR IS COMPARED TO THE SURVEY INFORMATION FOR NATIONAL THEATER ORGANIZATIONS AND IS APPROVED BY THE BOARD OF DIRECTORS. FORM 990, PART VI, SECTION C, LINE 19 AVAILABLE BY REQUEST. FORM 990, PART IX, LINE 11G CONSULTANTS AND CONTRACTORS FEES: PROGRAM SERVICE EXPENSES 8,165. MANAGEMENT AND GENERAL EXPENSES 28,268. FUNDRAISING EXPENSES 600. TOTAL EXPENSES 37,033. ARTIST CONTRACTS: PROGRAM SERVICE EXPENSES 127,756. MANAGEMENT AND GENERAL EXPENSES 0. FUNDRAISING EXPENSES 30,992. TOTAL EXPENSES 158,748. FORM 990, PART XI, LINE 9: WRITE-OFF OF CONTRIBUTION AND GRANT RECEIVABLE -9,182.