2025-03-24T11:34:05-05:00 2024-06-30 352123203 KSM BUSINESS SERVICES INC PO BOX 40857 INDIANAPOLIS IN 46240 990 2024-01-01 311139447 EITELJORG MUSEUM OF AMERICAN INDIANS AND WESTERN ART INC EITE 3176369378 500 W WASHINGTON ST INDIANAPOLIS IN 46204 KATHRYN HAIGH PRESIDENT AND CEO 3176369378 2025-03-14 1 1 CASSE TATE P01271193 3175802000 2025-03-14 2024 2025-03-06 01:10:19Z KATHRYN HAIGH 500 W WASHINGTON ST INDIANAPOLIS IN 46204 7748047 0 X WWW.EITELJORG.ORG X 1985 IN THE EITELJORG MUSEUM EXPLORES THE INTERSECTION OF THE ARTS, HISTORIES AND CULTURES OF THE PAST AND PRESENT BY SHARING THE DIVERSE STORIES OF THE AMERICAN WEST AND THE INDIGENOUS PEOPLES OF NORTH AMERICA. 31 31 0 187 0 0 8526446 3604158 795802 302000 1582361 766525 629900 233674 11534509 4906357 250000 0 0 0 3975820 1932201 0 0 407092 6282994 3455693 10508814 5387894 1025695 -481537 87885667 90190966 21637586 21322635 66248081 68868331 X THE EITELJORG MUSEUM EXPLORES THE INTERSECTION OF THE ARTS, HISTORIES AND CULTURES OF THE PAST AND PRESENT BY SHARING THE DIVERSE STORIES OF THE AMERICAN WEST AND THE INDIGENOUS PEOPLES OF NORTH AMERICA. 0 0 3361521 367075 EXHIBITIONS BETWEEN JANUARY AND JUNE 2024, MORE THAN 39,000 VISITORS EXPERIENCED FASCINATING EXHIBITIONS AT THE EITELJORG MUSEUM. THREE IMPORTANT TRAVELING EXHIBITIONS WERE ON VIEW AT THE EITELJORG. THE EXHIBIT ACTS OF FAITH: RELIGION AND THE AMERICAN WEST FEATURED CULTURAL OBJECTS, HISTORICAL DOCUMENTS AND ARTWORKS. IT EXAMINED HOW RELIGION AND FAITH TRADITIONS INFLUENCED THE AMERICAN WEST IN THE 1800S, AND HOW THE WEST ITSELF WAS INFLUENCED BY THE BELIEFS OF THE PEOPLE LIVING THERE. ORGANIZED BY THE NEW YORK HISTORICAL SOCIETY, ACTS OF FAITH WAS ON VIEW AT THE EITELJORG FROM APRIL 20 TO AUG. 4, 2024. ACCOMPANYING THE NATIONAL TRAVELING EXHIBITION WAS A LOCALLY CURATED SECTION WITH ARTWORKS FROM THE EITELJORG'S OWN COLECTIONS. THE OTHER TWO IMPORTANT TRAVELING EXHIBITIONS ON VIEW AT THE EITELJORG DURING THE FIRST HALF OF 2024 WERE ORGANIZED BY THE SMITHSONIAN INSTITUTION NATIONAL MUSEUM OF THE AMERICAN INDIAN, OR NMAI. WHY WE SERVE: NATIVE AMERICANS IN THE UNITED STATES ARMED FORCES HIGHLIGHTED THE SIGNIFICANT PARTICIPATION OF NATIVE PEOPLES IN THE U.S. MILITARY DURING AMERICAN MILITARY CONFLICTS AND IN PEACETIME. AN EXHIBIT OF HISTORICAL PHOTOGRAPHS AND PANELS SUPPLEMENTED BY WORKS FROM THE EITELJORG'S COLLECTIONS, WHY WE SERVE WAS OPEN MARCH 23 TO AUG. 1, 2024. DEVELOPING STORIES: NATIVE PHOTOGRAPHERS IN THE FIELD FEATURED PHOTOGRAPHS BY THREE CONTEMPORARY PHOTOGRAPHERS DEPICTING ISSUES FACING NATIVE PEOPLES TODAY. A NMAI-ORGANIZED EXHIBIT, DEVELOPING STORIES WAS AT THE EITELJORG FROM MARCH 23 TO JULY 7, 2024. DURING THE OPENING MONTHS OF 2024, EITELJORG VISITORS ALSO WERE INTRIGUED BY TWO EXHIBITIONS OF CONTEMPORARY NATIVE ART. THE EITELJORG CONTEMPORARY ART FELOWSHIP EXHIBITION UNSETTLE/CONVERGE, WHICH OPENED IN LATE FALL 2023, CONTINUED AT THE MUSEUM UNTIL FEB. 25, 2024. IT FEATURED COMPELLING EXAMPLES OF BEAD ART, SCULPTURES, WORKS ON PAPER, ASSEMBLAGES AND PHOTOGRAPHS BY FIVE OF TODAY'S CUTTING-EDGE CONTEMPORARY NATIVE ARTISTS FROM THE 2023 ROUND OF THE EITELJORG FELLOWSHIP, A NATIONALY RECOGNIZED PROGRAM LAUNCHED IN 1999. EITELJORG VISITORS COULD EXPERIENCE EVEN MORE CONTEMPORARY ART IN THE LOCALLY CURATED EXHIBITION NATIVE ART HISTORY IS MADE HERE, WHICH OPENED IN 2023 AND CONTINUED THROUGH MARCH 3, 2024. WORKS FROM THE MUSEUM'S COLLECTIONS BY ARTISTS FROM THE INITIAL 1999 AND 2001 ROUNDS OF THE EITELJORG FELOWSHIP WERE FEATURED, INCLUDING PAINTINGS, SCULPTURES AND MIXED MEDIA. TODAY, THESE ARTISTS ARE RECOGNIZED AS SOME OF THE COUNTRY'S MOST INFLUENTIAL CONTEMPORARY NATIVE ARTISTS. THE EITELJORG'S PERMANENT EXHIBITIONS ARE CENTRAL TO THE MUSEUM'S EFFORTS. THE NATIVE AMERICAN GALLERIES EXHIBITION, EXPRESSIONS OF LIFE: NATIVE ART IN NORTH AMERICA, IS ORGANIZED ON THE THEMES OF RELATION, CONTINUATION AND INNOVATION. THE SPACE FEATURES ART AND CULTURAL BELONGINGS OF NATIVE PEOPLES FROM ACROSS THE CONTINENT, WITH A SPECIAL FOCUS ON WORKS BY NATIVE ARTISTS OF THE GREAT LAKES REGION. THE EITELJORG'S WESTERN ART GALLERIES EXHIBITION, ATTITUDES: THE WEST IN AMERICAN ART INCLUDES HISTORIC AND CONTEMPORARY PAINTINGS AND SCULPTURES BY A DIVERSE GROUP OF ARTISTS FROM THE AMERICAN WEST. TAKEN TOGETHER, THE TRAVELING, PERMANENT AND TEMPORARY EXHIBITIONS AT THE EITELJORG FULFILLED THE MUSEUM'S MISSION AND BROADENED VISITORS' HORIZONS. 456503 PUBLIC PROGRAMS DURING THE FIRST HALF OF 2024, THE MUSEUM DRAMATICALY INCREASED ITS PROGRAMMATIC EFFORTS, HOSTING PROGRAMS NEARLY EVERY WEEKEND. HIGHLIGHTS INCLUDED AN EXPANDED PARTNERSHIP WITH ARTE MEXICANO EN INDIANA AND THE CONSULADO DE MEXICO EN INDIANPOLIS TO CELEBRATE DIA DE REYES WITH ROSCA DE REYES. THIS SMALL INITIAL PROGRAM LED TO A FOLLOW-UP CANDLEMAS GATHERING AND SEVERAL ADDITIONAL COLLABORATIVE PROGRAMS LATER IN THE YEAR. EXPANDED DR. MARTIN LUTHER KING JR. DAY PROGRAMMING DURING THE MUSEUM'S ANNUAL FREE DAY FOSTERED CONNECTIONS WITH LOCAL ARTISTS AND PERFORMERS LIKE THE IIBADA DANCE COMPANY, SITAEW, AND WILDSTYLE PASCHALL. ENHANCED EDUCATIONAL CONTENT AROUND HOLIDAYS AND HERITAGE MONTHS HELPED GUESTS CONNECT WITH ARTWORK ON A DEEPER LEVEL. SMITHSONIAN NATIONAL MUSEUM OF THE AMERICAN INDIAN TRAVELING EXHIBITION, WHY WE SERVE: NATIVE AMERICANS IN THE UNITED STATES ARMED FORCES INSPIRED PROGRAMMING TO HIGHLIGHT THE CRITICAL ROLES NAVAJO AND OTHER INDIGENOUS CODE TALKERS HELD IN WWI AND WWII. IN MARCH, PETER MACDONALD SR., ONE OF TWO REMAINING WWII NAVAJO CODE TALKERS, TOLD HIS STORY TO A SOLD-OUT, STANDING-ROOM-ONLY CROWD IN THE MUSEUM'S CLOWES BALLROOM. THE MORE THAN 400 PEOPLE IN ATTENDANCE HUNG ON PETER'S EVERY WORD AS HE RECOUNTED STORIES FROM HIS EARLY LIFE AND TIME IN THE ARMED FORCES DURING WWII. A PARTNERSHIP WITH INDIANA HUMANITIES BROUGHT ACCLAIMED AUTHOR TIYA MILES TO THE MUSEUM FOR AN INCOVERSATION PROGRAM CENTERING ON HER NEWEST BOOK, ALL THAT SHE CARRIED: THE JOURNEY OF ASHLEY'S SACK, A BLACK FAMILY KEEPSAKE. SPECIAL EXHIBITION, ACTS OF FAITH: RELIGION AND THE AMERICAN WEST INSPIRED PROGRAMS TO HIGHLIGHT LOCAL FAITH-BASED ART FORMS DURING AN EXPRESSIONS OF FAITH COMMUNITY DAY. FEATURED PERFORMERS INCLUDED THE LATTER DAY SAINTS CHOIR AND ORCHESTRA, THE HINDU TEMPLE OF INDIANAPOLIS CHILDREN'S GROUP, THE NATIVE AMERICAN CHURCH SINGERS, AND YURI RODRIGEZ PERFORMING CAMINEMOS CON MARIA. BOOK CLUB MEETINGS, ARTIST AND CURATOR TALKS, GUIDED TOURS, WORKSHOPS, AND SENSORY-FRIENDLY EXPERIENCES ROUNDED OUT THE PROGRAMMING LINE-UP FOR THE FIRST SIX MONTHS OF 2024. 332002 FESTIVALS AND EVENTSIN JUNE 2024, THE EITELJORG MUSEUM HOSTED THE 32ND ANNUAL INDIAN MARKET & FESTIVAL. NEARLY 140 ARTISTS REPRESENTING OVER 60 TRIBES, NATIONS, AND PUEBLOS FROM ACROSS THE UNITED STATES AND CANADA PARTICIPATED IN THE EVENT ON JUNE 22 AND 23, 2024. NEARLY 40 OF THOSE ARTISTS WERE NEW TO THE MUSEUM, PARTICIPATING IN THE INDIAN MARKET & FESTIVAL FOR THE FIRST TIME THANKS TO ROBUST RECRUITMENT EFFORTS. THE MARGOT L. ECCLES BEST OF SHOW AWARD WENT TO PETER BOOME (UPPER SKAGIT) FOR HIS PIECE ENTITLED FIRST WOMAN. PURCHASE PRIZE AWARDS WENT TO FOUR ARTISTS: RAIN SCOTT (PUEBLO OF ACOMA), BENJAMIN WEST (OTOE MISSOURIA/SOUTHERN CHEYENNE/MVSKOKE), BETH BUSH (POTAWATOMI/ODAWA), AND SAMANTHA JACOBS (SENECA), LEADING TO THE ACQUISITION OF FOUR INCREDIBLE PIECES TO ENHANCE THE MUSEUM'S PERMANENT COLLECTION. RIBBONS AND CASH PRIZES TOTALING $52,500 WERE AWARDED TO ARTISTS IN VARIOUS DIVISIONS. ENTERTAINMENT INCLUDED NATIVE HAWAIIAN MUSICIANS AND DANCERS HOAPILI AND INDY HULA. CLASSICAL GUITARIST GABRIEL AYALA (YAQUI) DELIGHTED AUDIENCES WITH HIS MUSICAL TALENTS, STORYTELLER PERRY GROUND (TURTLE CLAN MEMBER OF THE ONONDAGA NATION) ENTERTAINED CROWDS ON THE MAIN STAGE AND FRONT LAWN, AND SIHASIN, A PUNK ROCK BROTHER-SISTER DUO FROM THE NAVAJO NATION, BROUGHT THEIR SIGNATURE ENERGY TO EXCITE THE AUDIENCE. DESPITE RECORD TEMPERATURES IN THE MID TO HIGH 90-DEGREE RANGE, NEARLY 4,000 VISITORS ATTENDED INDIAN MARKET & FESTIVAL, PURCHASING WORK FROM ARTISTS, ENJOYING ENTERTAINMENT, SAVORING NAVAJO TACOS AND BISON BURGERS, PARTICIPATING IN ART-MAKING ACTIVITIES, AND ENJOYING THE MUSEUM GALLERIES. 4150026 1 1 0 0 0 0 0 1 0 1 1 0 0 0 0 1 1 0 0 0 1 0 0 0 0 0 0 0 0 0 1 0 0 0 0 0 0 0 0 0 0 1 1 0 0 0 0 0 0 0 1 X 0 0 1 0 1 0 0 0 0 0 1 1 0 0 0 0 0 0 X 31 31 0 0 0 0 0 0 0 1 1 0 0 0 1 1 1 1 1 1 1 0 IN X KATHRYN HAIGH 3172751308 500 W WASHINGTON ST INDIANAPOLIS IN 46204 PAT ANKER CHAIRMAN 3.00 X X 0 0 0 FRED GREEN VICE CHAIRMAN 0.50 X X 0 0 0 SUE BACK TREASURER 3.00 X X 0 0 0 DON WOODLEY SECRETARY 0.50 X X 0 0 0 AMANDA RAIL BOARD MEMBER 0.50 X 0 0 0 ROGER EITELJORG BOARD MEMBER 0.50 X 0 0 0 RICHARD FELDMAN BOARD MEMBER 0.50 X 0 0 0 GLORIA GRIESINGER BOARD MEMBER 0.50 X 0 0 0 CINDY HOYE BOARD MEMBER 0.50 X 0 0 0 STAN HURT BOARD MEMBER 0.50 X 0 0 0 CHRIS KATTERJOHN BOARD MEMBER 0.50 X 0 0 0 MIKE AGUIRRE BOARD MEMBER 0.50 X 0 0 0 BONNIE REILLY BOARD MEMBER 0.50 X 0 0 0 JOAN SERVAAS BOARD MEMBER 0.50 X 0 0 0 CATHY TURNER BOARD MEMBER 0.50 X 0 0 0 LG EDWARDS BOARD MEMBER 0.50 X 0 0 0 ANGIE DARLINGTON BOARD MEMBER 0.50 X 0 0 0 KELLY MASONCUP BOARD MEMBER 0.50 X 0 0 0 PATTY GIBBS BOARD MEMBER 0.50 X 0 0 0 CHRIS ECK BOARD MEMBER 0.50 X 0 0 0 CARLA LEPPERT BOARD MEMBER 0.50 X 0 0 0 VIRGINIA MERKEL BOARD MEMBER 0.50 X 0 0 0 JOSE SAMPERIO BOARD MEMBER 0.50 X 0 0 0 RICH HAILEY BOARD MEMBER 0.50 X 0 0 0 JUDITH THOMAS THRU 524 BOARD MEMBER 0.50 X 0 0 0 LESLIE BOZEMAN BOARD MEMBER 0.50 X 0 0 0 NEAL BRACKETT BOARD MEMBER 0.50 X 0 0 0 FELICA AHASTEEN-BRYANT BOARD MEMBER 0.50 X 0 0 0 BEN COX BOARD MEMBER 0.50 X 0 0 0 BENNY KO BOARD MEMBER 0.50 X 0 0 0 AH HUTCH SCHUMAKER II BOARD MEMBER 0.50 X 0 0 0 KATHRYN HAIGH PRESIDENT & CEO 50.00 X 0 0 0 SUNNY REED VP ADMIN & CFO 50.00 X 0 0 0 ELISA PHELPS THRU FEB VP AND CHIEF CURATORIAL OFFICER 50.00 X 0 0 0 NATALY LOWDER THRU APRIL EVP AND CHIEF ADVANCEMENT OFFICER 50.00 X 0 0 0 2 0 0 0 3604158 32813 3604158 ADMISSIONS AND TOURS 712110 302000 302000 302000 563289 563289 179402 10803 168599 168599 168599 2980155 2776919 203236 203236 203236 111466 53968 57498 57498 ART SALE REVENUE 712110 582 582 6995 6995 7577 4906357 367075 0 935124 312510 27901 153441 131168 1323301 851209 268453 203639 176211 130817 34338 11056 120179 66903 29000 24276 1138 1138 41513 41513 97692 97692 35139 16200 10772 8167 11956 11956 19092 1454 13570 4068 54778 34895 19883 216259 205857 10402 4910 1452 3225 233 483252 459089 24163 756795 734091 22704 62596 41061 21535 EXHIBIT EXPENSES 950654 950635 19 0 SECURITY 276586 276586 0 0 REPAIRS AND MAINTENANCE 242172 237959 4213 0 CONSERVATION 51278 51278 0 0 149883 62639 82642 4602 5387894 4150026 830776 407092 48009 49477 3943578 3285904 1639743 2544643 26254 11252 144021 229949 390139 409371 55462532 34895095 21085249 20567437 58831490 60424217 592685 1439513 1184499 1229203 87885667 90190966 675606 910017 20961980 20412618 21637586 21322635 X 42594566 42754669 23653515 26113662 66248081 68868331 87885667 90190966 X -481537 3048406 53381 X X 0 1 X 1 0 X 7544001 15736218 4693434 8526446 3604158 40104257 7544001 15736218 4693434 8526446 3604158 40104257 14676248 25428009 1270404 1891244 1642132 1662194 742691 7208665 119631 147140 257985 89986 0 614742 105088 105088 48032752 4000618 0.52940 0.52830 X SCHEDULE A, PART II, LINE 10, EXPLANATION OF OTHER INCOME: MISCELLANEOUS INCOME - 2020 AMOUNT: $ 23,723. ART SALE REVENUE - 2020 AMOUNT: $ 81,365. PART II, SHORT YEAR EXPLANATION: THIS RETURN IS FOR A SHORT YEAR FOR PERIOD 01/01/24 THROUGH 06/30/24. THE ORGANIZATION IS CHANGING THEIR TAX YEAR FROM A CALENDAR YEAR TO FISCAL YEAR. RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED X X X X 0 37650605 1180475 2838118 817886 80478 40770834 29500193 4368610 5462370 1589864 90704 37650605 37235166 35000 -6214330 1474071 81572 29500193 32999094 1324412 4297901 1299330 86911 37235166 27812687 2316381 4376649 1449056 57567 32999094 0.52978 0.40585 0.06437 1 0 48925073 31831528 17093545 1578985 431314 1147671 4958474 2632253 2326221 20567437 X 7981616 3048406 6393 118152 3172951 4808665 97692 97692 4906357 5361366 6393 64771 71164 5290202 97692 97692 5387894 PART III, LINE 1A: COLLECTION ITEMS CONSIST OF ART OBJECTS THAT ARE HELD FOR EDUCATIONAL AND CURATORIAL PURPOSES. THE MUSEUM COLLECTS WORKS OF ART REPRESENTING ALL PERIODS OF THE AMERICAN INDIAN AND WESTERN CULTURES. EACH OF THE ITEMS IS CATALOGED, PRESERVED, AND CARED FOR, AND KEPT UNENCUMBERED, AND ACTIVITIES VERIFYING THEIR EXISTENCE AND ASSESSING THEIR CONDITION ARE PERFORMED CONTINUOUSLY. COLLECTION ITEMS ACQUIRED EITHER THROUGH PURCHASE OR DONATION ARE NOT CAPITALIZED. CONTRIBUTIONS OF COLLECTION ITEMS ARE NOT RECOGNIZED IN THE STATEMENTS OF ACTIVITIES. THE VALUE OF ART OBJECTS ACQUIRED BY GIFT, FOR WHICH THE MUSEUM HAS MADE A REASONABLE ESTIMATE, WAS $128,669 IN 2024 AND $164,255 IN 2023. PURCHASES OF COLLECTION ITEMS ARE RECORDED AS DECREASES IN NET ASSETS WITHOUT DONOR RESTRICTIONS IF PURCHASED WITH ASSETS WITHOUT DONOR RESTRICTIONS AND AS DECREASES IN NET ASSETS WITH DONOR RESTRICTIONS IF PURCHASED WITH DONOR-RESTRICTED ASSETS. PROCEEDS FROM DEACCESSIONS OR INSURANCE RECOVERIES ARE REFLECTED ON THE STATEMENTS OF ACTIVITIES BASED ON THE ABSENCE OR EXISTENCE AND NATURE OF DONOR-IMPOSED RESTRICTIONS. IF COLLECTION ITEMS ARE SOLD, THE PROCEEDS FROM THE SALE ARE USED TO PURCHASE ADDITIONAL COLLECTION ITEMS, THE DIRECT CARE OF EXISTING COLLECTION, OR BOTH. DIRECT CARE IS TO BE DEFINED AS STRATEGIC INVESTMENTS THAT MAKE A PHYSICAL OR IMMEDIATE IMPACT WHICH WILL RESTORE AN OBJECTS CULTURAL VALUE, PROLONGING ITS LIFE AND USEFULNESS. PART III, LINE 4: THE EITELJORG MUSEUM CLEARLY FOCUSES UPON ITS MISSION. ALL WORKS OF ART AND OBJECTS IN THE COLLECTION ARE STRICTLY RELEVANT TO THE AMERICAN WEST AND NATIVE PEOPLES OF NORTH AMERICA. ALL COLLECTION ITEMS ARE VIEWED AS A RESOURCE IN THE FULFILLMENT OF THE INSTITUTIONAL MISSION AND FOR THE ENLIGHTENMENT AND ENJOYMENT OF THE PUBLIC SERVED BY THE MUSEUM. PAINTINGS, SCULPTURES, PRINTS, PHOTOGRAPHS, NATIVE AMERICAN ARTIFACTS OF ALL KINDS, ARE ALL UTILIZED OR AVAILABLE FOR USE IN EDUCATIONAL EXHIBITS AT THE MUSEUM AND THROUGH LOAN TO OTHER QUALIFIED MUSEUMS. OBJECTS ARE STUDIED BY STUDENTS FROM GRADE SCHOOL TO GRADUATE SCHOOL AND ARE THEREFORE INCLUDED THROUGH IMAGES AND WRITING IN CLASS PROJECTS, ARTICLES, AND BOOKS. STUDENTS, TEACHERS, RESEARCHERS, PUBLISHERS, AND OTHERS, ALONG WITH THE STAFF, ARE ENCOURAGED TO UTILIZE THE COLLECTION THROUGH SUPERVISED EXAMINATION AND ACCESS TO THE COLLECTION DATABASE AND DIGITAL IMAGES. ABOVE ALL, NATIVE CULTURES, FROM WHICH ARTIFACTS CAME, ARE GIVEN SPECIAL ACCESS FOR CULTURAL, SPIRITUAL, AND EDUCATIONAL REASONS. PART V, LINE 4: THE INTENDED USE OF THE MUSEUM'S ENDOWMENT FUNDS ARE TO SUPPORT OPERATIONS FROM NOW INTO THE FUTURE. THE MUSEUM HAS ADOPTED INVESTMENT AND SPENDING POLICIES FOR ENDOWMENT ASSETS THAT ATTEMPT TO PROVIDE A PREDICTABLE STREAM OF FUNDING TO PROGRAMS SUPPORTED BY ITS ENDOWMENT WHILE SEEKING TO MAINTAIN THE PURCHASING POWER OF THE ENDOWMENT ASSETS. TO SATISFY ITS LONG-RANGE-RATE-OF-RETURN OBJECTIVES, THE MUSEUM RELIES ON A TOTAL RETURN STRATEGY IN WHICH INVESTMENT RETURNS ARE ACHIEVED THROUGH BOTH CAPITAL APPRECIATION AND CURRENT YIELD. PART X, LINE 2: THE MUSEUM IS EXEMPT FROM FEDERAL INCOME TAXES UNDER SECTION 501(C)(3) OF THE INTERNAL REVENUE CODE, THOUGH IT IS SUBJECT TO TAX ON INCOME UNRELATED TO ITS EXEMPT PURPOSE, UNLESS THAT INCOME IS OTHERWISE EXCLUDED BY THE INTERNAL REVENUE CODE. IN ADDITION, THE MUSEUM HAS BEEN DETERMINED BY THE INTERNAL REVENUE SERVICE NOT TO BE A PRIVATE FOUNDATION WITHIN THE MEANING OF SECTION 509(A) OF THE INTERNAL REVENUE CODE. THERE WAS NO UNRELATED BUSINESS INCOME TAX FOR THE PERIOD ENDED JUNE 30, 2024 AND DECEMBER 31, 2023. THE MUSEUM FILES U.S. FEDERAL AND STATE OF INDIANA INFORMATION RETURNS. THE MUSEUM IS NO LONGER SUBJECT TO U.S. FEDERAL AND STATE INCOME TAX EXAMINATIONS BY TAX AUTHORITIES FOR YEARS BEFORE 2021. MANAGEMENT BELIEVES THAT THE MUSEUM'S INCOME TAX FILING POSITIONS WILL BE SUSTAINED ON AUDIT AND DOES NOT ANTICIPATE ANY ADJUSTMENTS THAT WILL RESULT IN MATERIAL CHANGE. PART XI, LINE 2D - OTHER ADJUSTMENTS: COST OF INVENTORY SOLD 53,968. RENT EXPENSES 10,803. CHANGE IN VALUE OF CHARITABLE TRUSTS 53,381. PART XII, LINE 2D - OTHER ADJUSTMENTS: COST OF INVENTORY SOLD 53,968. RENT EXPENSES 10,803. PART V THE THREE YEARS BACK AMOUNTS INCLUDE A RESTATEMENT OF THE CONTRIBUTION INCOME. THE CURRENT YEAR AMOUNTS REPRESENT A SIX-MONTH SHORT YEAR. CENTRAL AMERICA AND THE CARIBBEAN 0 0 INVESTMENTS 108000 0 0 0 0 0 0 108000 0 108000 1 0 0 0 0 0 A INDIANA FINANCE AUTHORITY 351602316 2015-05-08 23570000 FINANCE RENOVATION/EXPANSION OF FACILITIES/REFUNDING BONDS ISSUED IN 2004 0 0 0 A 23570000 414181 1578984 959350 1 0 1 1 A 0 0 0 0 0 0 0 A 0 0 1 0 1 0 0 0 0 A 1 X 41 REVENUE NOT RECOGNIZED X 1 1542 MEAN ON TRANSFER DATE X OTHER 1 20000 FAIR MARKET VALUE X IMAGE SERVICES 1 11271 FAIR MARKET VALUE 0 1 0 PART I, LINE 33: THE MUSEUM COLLECTS WORKS OF ART REPRESENTING ALL PERIODS OF THE AMERICAN INDIAN AND WESTERN CULTURES. COLLECTION ITEMS ACQUIRED EITHER THROUGH PURCHASE OR DONATION ARE NOT CAPITALIZED. CONTRIBUTIONS OF COLLECTION ITEMS ARE NOT RECOGNIZED IN THE STATEMENT OF ACTIVITIES. FORM 990, PART V AND VII EITELJORG MUSEUM OF AMERICAN INDIANS AND WESTERN ART, INC. IS FILING A SHORT-YEAR RETURN IN ORDER TO CHANGE ITS TAX YEAR FROM DECEMBER 31 TO JUNE 30 TO BETTER ALIGN WITH THE MUSEUM'S OPERATING CYCLES. PER IRS INSTRUCTIONS, SHORT-YEAR RETURNS WITHOUT A CALENDAR-YEAR END DO NOT REPORT EMPLOYEE WAGE INFORMATION IN PART VII OF FORM 990 OR ON SCHEDULE J. ADDITIONALLY, PART V LINES 1 AND 2 ALSO INDICATE THAT ZERO FORMS WERE FILED. THE 2024 CALENDAR-YEAR-END INFORMATION ABOUT PAYROLL AND CONTRACTORS WILL BE REPORTED ON THE JUNE 30, 2025 RETURN. FORM 990, PART VI, SECTION B, LINE 11B THE 990 IS REVIEWED BY THE CFO, THE CEO AND THE TREASURER PRIOR TO A REVIEW BY THE AUDIT AND FINANCE COMMITTEE. THE PUBLIC DISCLOSURE COPY OF THE 990 IS PROVIDED TO THE BOARD MEMBERS PRIOR TO FILING. BOARD MEMBERS DO NOT GET A COPY WITH THE SCHEDULE B ATTACHED DUE TO CONFIDENTIALITY ISSUES. FORM 990, PART VI, SECTION B, LINE 12C DIRECTORS, OFFICERS, AND KEY EMPLOYEES COMPLETE ANNUALLY (OR AS OTHERWISE REQUESTED) A DISCLOSURE STATEMENT REGARDING ANY CONFLICT OF INTEREST DESCRIBED IN THE POLICY. ANY CHANGES ARE REPORTED PROMPTLY TO THE CEO OR BOARD CHAIR. THE CFO SUMMARIZES ANY CONFLICTS OR POTENTIAL CONFLICTS TO THE CEO AND THE BOARD CHAIR. FORM 990, PART VI, SECTION B, LINE 15 THE EXECUTIVE COMMITTEE ANNUALLY REVIEWS AND APPROVES THE SALARIES FOR THE CEO AND THE CFO. THE EXECUTIVE COMMITTEE REVIEWS CURRENT MARKET DATA FROM: THE ASSOCIATION OF ART MUSEUM DIRECTORS SALARY SURVEY THAT IS DONE YEARLY. DATA IS COMPILED FROM THIS REPORT FOR OUR REGION OF THE COUNTY, OUR OPERATING BUDGET AND THE SIZE OF OUR CITY. OTHER SURVEYS AVAILABLE SUCH AS THE ASSOCIATION OF MIDWEST MUSEUMS AND THE CHARITABLE ADVISORS SALARY SURVEY, AS WELL AS COMPARISONS TO PARTNER INSTITUTIONS. THE CEO'S SALARY IS DETERMINED BY A CONTRACT THAT IS PREPARED BY LEGAL COUNSEL AFTER NEGOTIATIONS BETWEEN THE PRESIDENT AND A SUBSET OF BOARD MEMBERS LED BY THE CHAIRMAN. THE CONTRACT IS REVIEWED AND APPROVED BY THE EXECUTIVE COMMITTEE. THE FULL BOARD OF DIRECTORS IS INFORMED ABOUT THE CONTRACT. DATA OBTAINED FROM THE FOLLOWING SOURCES IS REVIEWED TO DETERMINE THAT SALARY: THE ASSOCIATION OF ART MUSEUM DIRECTORS SALARY SURVEY THAT IS DONE YEARLY. DATA IS COMPILED FROM THIS REPORT FOR OUR REGION OF THE COUNTY, OUR OPERATING BUDGET AND THE SIZE OF OUR CITY. OTHER SURVEYS AVAILABLE SUCH AS THE ASSOCIATION OF MIDWEST MUSEUMS AND THE CHARITABLE ADVISORS SALARY SURVEY, AS WELL AS COMPARISONS TO PARTNER INSTITUTIONS. THE CEO'S BONUS UNDER THE CURRENT CONTRACT IS DETERMINED BASED ON PRE-ESTABLISHED INDICATORS AND PERFORMANCE AND OVERALL COMPENSATION ARE EVALUATED ANNUALLY BY THE EXECUTIVE COMMITTEE. THE CEO PROVIDES A WRITTEN SELF-EVALUATION TO THE BOARD CHAIRPERSON WHO, ALSO PRODUCES THEIR OWN WRITTEN REVIEW OF CEO PERFORMANCE. THE EXECUTIVE COMMITTEE MEETS IN FEBRUARY TO REVIEW THE CEO'S SELF-REVIEW AND THE CHAIRPERSON'S REVIEW. THE CEO MEETS WITH THE EXECUTIVE COMMITTEE TO PROVIDE A SUMMARY OF HIS/HER SELF-REVIEW AND TO ANSWER QUESTIONS. THE EXECUTIVE COMMITTEE THEN DISCUSSES THE CEO'S PERFORMANCE IN PRIVATE AND AFFIRMS OR AMENDS THE CHAIRPERSON'S REVIEW. WITH CONSIDERATION OF COMPARABLE DATA AND EVALUATION, THE COMMITTEE DETERMINES THE PERCENTAGE OF SALARY INCREASE (IF ANY), AS WELL AS ANY ADJUSTMENTS TO THE CONTRACTED BONUS (IF ANY). THE APPROVAL AND AMOUNTS ARE DOCUMENTED IN THE MINUTES OF THE EXECUTIVE COMMITTEE WHICH IS THEN COMMUNICATED TO THE CFO FOR BUDGETARY PURPOSES. THE CEO AND CFO ANNUALLY REVIEWS AND APPROVES THE SALARIES FOR KEY EMPLOYEES. THE CFO REVIEWS CURRENT MARKET DATA FROM: THE ASSOCIATION OF ART MUSEUM DIRECTORS SALARY SURVEY THAT IS DONE YEARLY. DATA IS COMPILED FROM THIS REPORT FOR OUR REGION OF THE COUNTY, OUR OPERATING BUDGET AND THE SIZE OF OUR CITY. OTHER SURVEYS AVAILABLE SUCH AS THE ASSOCIATION OF MIDWEST MUSEUMS AND THE CHARITABLE ADVISORS SALARY SURVEY, AS WELL AS COMPARISONS TO PARTNER INSTITUTIONS. THE CFO AND CEO MAKE SALARY DETERMINATIONS BASED UPON THIS DATA. THE ANNUAL COMPENSATION BUDGET IS THEN PRESENTED TO THE HR COUNCIL FOR APPROVAL. FORM 990, PART VI, SECTION C, LINE 18 DOCUMENTS ARE AVAILABLE UPON REQUEST. FORM 990, PART VI, SECTION C, LINE 19 DOCUMENTS ARE AVAILABLE UPON REQUEST. FORM 990, PART XI, LINE 9: CHANGE IN VALUE OF CHARITABLE TRUSTS 53,381. FORM 990, PART XII, LINE 2C: THERE HAS BEEN NO CHANGE IN THE AUDIT REVIEW PROCESS FROM THE PRIOR YEAR.