2024-10-02T13:05:50-05:00 2024-06-30 882599138 HUTTER CPA LLC 1931 BELLEVUE AVE SAINT LOUIS MO 63143 990EZ 2023-07-01 871484854 RESILIENCE DANCE COMPANY STL RESI 5134446114 217 CARMEL DR ST LOUIS MO 63119 EMILY HAUSSLER EXECUTIVE AND ARTISTIC DIRECTOR 5134446114 2024-10-02 1 1 TERESA M HUTTER CPA P01717100 3144747998 2023 2024-10-15 13:58:12Z X HTTPS://WWW.RESILIENCEDANCECOMPANY.COM/ X X 174274 X 152315 19261 1615 1615 0 1083 1542 -459 171117 89735 31235 10795 2879 26799 161443 9674 2335 0 12009 X 1272 11240 1063 769 2335 12009 0 0 2335 12009 X TO CREATE EXCEPTIONAL DANCE EXPERIENCES THAT FUEL HUMAN CONNECTION. MAINSTAGE PERFORMANCESRDC PRODUCED TWO MAINSTAGE COMPANY DANCE CONCERTS IN THE 2023/24 SEASON. "ENTRY POINTS", A REPERTORY MODERN DANCE CONCERT, PREMIERED OCTOBER 13TH - 15TH, 2023 AND INCLUDED WORKS BY MIKE ESPERANZA, ROSANNA TAVAREZ, XI ZHAO IN COLLABORATION WITH SUZANNE BEAHRS, PERSI MEY, AND EMILY HAUSSLER. ALL WORKS EXCEPT FOR HAUSSLER'S WERE WORLD PREMIERES. "FALLING FORWARD", AN ORIGINAL EVENING-LENGTH MODERN DANCE CHOREOGRAPHED BY EMILY HAUSSLER IN COLLABORATION WITH THE COMPANY, PREMIERED APRIL 12TH - 14TH, 2024. "FALLING FORWARD" WAS FURTHERMORE OPENED WITH A NEW WORK BY JACOB HENSS. 442 TICKETS WERE SOLD FOR RDC'S 2023/24 MAINSTAGE PERFORMANCES - A ROUGHLY 10% INCREASE FROM THE PREVIOUS SEASON. 42 INDIVIDUALS ATTENDED VIA A PRE-RECORDED VIRTUAL PERFORMANCE, AN OPTION RDC HAS MAINTAINED SINCE THE ONSET OF COVID-19, AND 400 ATTENDED IN PERSON AT INTERSECT ARTS CENTER, LOCATED IN THE HISTORIC CHEROKEE ST. NEIGHBORHOOD IN ST. LOUIS, MO. RDC'S PERFORMANCES AT INTERSECT WERE APPROXIMATELY 80-85% SOLD, WITH A HANDFUL OF SOLD-OUT EVENINGS (80 SEATS). IT IS IMPORTANT TO NOTE THAT GUEST CHOREOGRAPHERS THIS SEASON CONDUCTED THEIR CREATIVE PROCESSES IN-PERSON WITH THE COMPANY, AS OPPOSED TO VIRTUALLY THROUGH ZOOM. THIS IS A POINT OF GROWTH FOR THE COMPANY, AS RDC WAS ABLE TO ACCOMMODATE TRAVEL EXPENSES FOR RENOWNED AND EMERGING CHOREOGRAPHERS FROM ACROSS THE COUNTRY. AS A RESULT OF IN-PERSON PROCESSES, CHOREOGRAPHERS' WORKS WERE MORE COLLABORATIVE, DETAILED, AND THOROUGHLY DEVELOPED LEADING UP TO THEIR WORLD PREMIERE. IN ADDITION TO RDC'S TWO COMPANY-PERFORMED MAINSTAGE SHOWS, RDC PILOTED A THIRD PERFORMANCE: THE ST. LOUIS CONTEMPORARY DANCE FESTIVAL. THIS PERFORMANCE WAS DESIGNED TO FEATURE INDEPENDENT CHOREOGRAPHERS FROM ACROSS THE COUNTRY, PARTICULARLY THE RISK-TAKERS IN CONTEMPORARY DANCE. RDC LAUNCHED AN APPLICATION IN DECEMBER 2023 AND CLOSED CHOREOGRAPHER SUBMISSIONS IN MARCH 2024. 60 CHOREOGRAPHERS FROM ACROSS THE COUNTRY APPLIED; RDC SELECTED 9 CHOREOGRAPHERS FROM 6 STATES TO SHARE WORK. THESE CHOREOGRAPHERS EACH RECEIVED AN HONORARIUM AND UP TO 10 HOURS OF FREE REHEARSAL SPACE IN ST. LOUIS, PAID FOR BY RDC OR DONATED BY LOCAL STUDIO PARTNERS. THE ONE-NIGHT PERFORMANCE OVERSOLD AND WAS ATTENDED BY 99 AUDIENCE MEMBERS AT INTERSECT ARTS CENTER IN ST. LOUIS ON JUNE 15TH, 2024. RDC PLANS TO EXPAND THE FESTIVAL INTO MULTIPLE DAYS AT A LARGER VENUE FOR THE 2024/25 SEASON.IN TOTAL, RDC WORKED WITH AND COMPENSATED 32 ARTISTS TO BRING MAINSTAGE PERFORMANCES TO LIFE. THESE PERFORMANCES ENTERTAIN, INSPIRE, AND EDUCATE LOCAL AUDIENCES BY PRESENTING THOUGHT-PROVOKING, TECHNICALLY PROFICIENT, AND PROFESSIONALLY PRODUCED DANCE. THEY FULFILL OUR MISSION BY BRINGING TOGETHER AUDIENCES AND ARTISTS TO SPARK CURIOSITY, CONVERSATION, AND CONNECTIONS THROUGH DANCE. 0 92390 DANCE EDUCATIONRDC PROVIDES MULTIPLE FORMS OF DANCE EDUCATION TO THE COMMUNITY.RDC HOSTS OPEN DROP-IN CLASSES FOUR TO FIVE TIMES A WEEK FOR INTERMEDIATE AND ADVANCED STUDENTS, USUALLY AGES 16+, IN ST. LOUIS. THESE CLASSES PRIMARILY INCLUDE BALLET, CONTEMPORARY, MODERN, IMPROVISATION, AND PILATES. FURTHERMORE, RDC HOSTED FOUR MASTER CLASSES LED BY RDC'S GUEST CHOREOGRAPHERS AND LOCAL ARTISTS. LASTLY, RDC OFFERED TWO FREE WORKSHOPS AS PART OF THE ST. LOUIS CONTEMPORARY DANCE FESTIVAL. IN TOTAL, THROUGHOUT THE 2023/24 SEASON, THERE WERE 200 CLASS ATTENDANCES BY 92 STUDENTS - UP FROM 130 ATTENDANCES IN THE PREVIOUS SEASON.RDC FURTHER EXPANDED SUMMER DANCE EDUCATION INITIATIVES. IN JUNE 2024, RDC HOSTED OUR SECOND SUMMER INTENSIVE PROGRAM FOR STUDENTS AGES 11 - 16. FIFTEEN STUDENTS ATTENDED A FULL WEEK OF DANCE PROGRAMMING HOSTED AT WASHINGTON UNIVERSITY IN ST. LOUIS, MARKING 25% GROWTH COMPARED TO THE PREVIOUS YEAR. THESE STUDENTS TOOK TECHNIQUE CLASSES INCLUDING MODERN, IMPROVISATION, AND BALLET, WORKSHOPS INCLUDING PARTNERING AND CHOREOGRAPHY, AND SPECIAL SESSIONS ON "MENTAL HEALTH IN DANCE", LED BY LICENSED COUNSELOR AND BOARD MEMBER BRITTNI JOHNSON, AND "INJURY PREVENTION", LED BY ELIZABETH WESTLAND, RDC'S PARTNER PHYSICAL THERAPIST. THEY FURTHERMORE LEARNED AND PERFORMED AN ORIGINAL WORK CHOREOGRAPHED BY AN RDC COMPANY DANCER, AND COLLABORATIVELY CREATED AND PERFORMED A STRUCTURED IMPROVISATION LED BY ARTISTIC DIRECTOR EMILY HAUSSLER AT THE END OF THE WEEK SHOWCASE. APPROXIMATELY 40 AUDIENCE MEMBERS ATTENDED TO SUPPORT THE SUMMER INTENSIVE STUDENTS.IN ADDITION TO THE SUMMER INTENSIVE, RDC PILOTED CHOREOGRAPHY PROJECT - AN IMMERSIVE NEW PROGRAM FOR HIGH SCHOOL STUDENTS AGES 14 - 18. AFTER AN AUDITION AND APPLICATION PROCESS, FIVE HIGH SCHOOLERS WERE SELECTED TO LEARN AND PERFORM AN ORIGINAL WORK BY RDC SEASON CHOREOGRAPHER, XI ZHAO. STUDENTS PARTICIPATED IN AN INTENSE FOUR-DAY, COLLABORATIVE CHOREOGRAPHIC PROCESS THAT DIRECTLY MIMICKED THE PROFESSIONAL COMPANY'S SCHEDULE WITH A RESIDENT CHOREOGRAPHER. STUDENTS THEN PERFORMED THE PIECE AS THE OPENING TO THE ST. LOUIS CONTEMPORARY DANCE FESTIVAL.RDC PROVIDES RIGOROUS YET NURTURING DANCE EDUCATION FOR STUDENTS AT AFFORDABLE RATES. RDC FULFILLS OUR MISSION BY CONNECTING STUDENTS WITH HIGH-QUALITY TRAINING IN DIVERSE TECHNIQUES IN ADDITION TO PROVIDING PROFESSIONAL OPPORTUNITIES. 0 25460 TOURING PERFORMANCESRESILIENCE DANCE COMPANY SUBMITS SHORT DANCES BY SEASON CHOREOGRAPHERS TO FESTIVALS AND CONFERENCES AROUND THE MIDWEST REGION. IN THE 2023/24 SEASON, RDC TOURED TO KANSAS CITY, MO AND DETROIT, MI TO PERFORM AT TWO DANCE FESTIVALS: MODERN NIGHT AT THE GEM, PRESENTED BY CITY IN MOTION IN FEBRUARY 2024, AND DETROIT DANCE CITY FESTIVAL, PRESENTED BY ARTLAB J IN SEPTEMBER 2023, RESPECTIVELY.THE COMPANY PRESENTED "TRUST COMPLETELY TO" BY PERSI MEY AT MODERN NIGHT AT THE GEM, AND "29 ENCOUNTERS" BY EMILY HAUSSLER AT DETROIT DANCE CITY FESTIVAL.APPROXIMATELY 750 PEOPLE WITNESSED THESE WORKS BY RESILIENCE DANCE COMPANY, IN ADDITION TO OUR MAINSTAGE AUDIENCE IN ST. LOUIS. RDC ALSO PARTICIPATES IN NETWORKING EVENTS WHILE ON TOUR, MAKING CONNECTIONS WITH NEW DANCERS AND CHOREOGRAPHERS FOR FUTURE SEASONS. THEREFORE, RDC'S TOURING PERFORMANCE PROGRAM IS A POWERFUL OPPORTUNITY TO CONNECT WITH AUDIENCES AND ARTISTS BEYOND ST. LOUIS, AND TO FOSTER ARTISTIC GROWTH AND EXCHANGE THROUGHOUT THE MIDWEST. TO GIVE ONE FULL-CIRCLE EXAMPLE, RDC COMMISSIONED PERSI MEY TO CREATE A NEW WORK ON THE COMPANY AFTER SEEING THEIR PIECE AT MODERN NIGHT AT THE GEM IN 2022; RDC THEN RECEIVED THE OPPORTUNITY TO TOUR PERSI'S NEW WORK BACK TO MODERN NIGHT AT THE GEM IN 2023. 0 9372 DANCER RESOURCESRDC PROVIDES PHYSICAL AND MENTAL HEALTH RESOURCES TO COMPANY DANCERS TO PROMOTE SUSTAINABLE CAREERS AND HOLISTIC WELLBEING. IN THE 2023/24 SEASON, THESE INCLUDED: PHYSICAL THERAPY SESSIONS (TWICE A MONTH) THROUGH ATHLETICO PHYSICAL THERAPY, INDIVIDUAL MENTAL HEALTH THERAPY SESSIONS (TWICE A MONTH) THROUGH ONE OF THREE PARTNER THERAPISTS, AND MASSAGE THERAPY (ONCE A MONTH) THROUGH KIP TAYLOR MASSAGE THERAPY. 0 6457 SEEN: STLSEEN: STL IS AN INFORMAL SHOWCASE OF DANCE WORKS BY INDEPENDENT ARTISTS IN ST. LOUIS, PRODUCED AND PRESENTED BY RESILIENCE DANCE COMPANY. DANCE ARTISTS, AGED 18+, ARE INVITED TO SIGN UP TO SHARE WORKS IN PROGRESS WITH THE COMMUNITY. THERE ARE NO FEES, NO GENRE OR TIME RESTRICTIONS, AND NO FORMAL ADJUDICATION PROCESS - ARTISTS SIMPLY SIGN UP, SHOW UP, AND SHARE WORK. SEEN: STL HAS GAINED MOMENTUM AS ONE OF RDC'S MOST POPULAR PROGRAMS, GIVING ARTISTS MUCH NEEDED OPPORTUNITIES TO PERFORM THEIR DANCES AND ENGAGE WITH AUDIENCES. ARTISTS BENEFIT FROM HAVING A WELCOMING PERFORMANCE PLATFORM TO PRESENT AND HONE THEIR WORK, AND AUDIENCES BENEFIT FROM SEEING A WIDE STYLISTIC RANGE OF LOCAL DANCE, FROM CLASSICAL INDIAN TO EXPERIMENTAL DANCE THEATER TO HIP-HOP AND MORE.36 DANCERS AND CHOREOGRAPHERS PARTICIPATED IN SEEN: STL BY SHARING WORK IN ONE OF THE THREE 2023/24 PERFORMANCES: JULY 22ND, 2023, DECEMBER 2ND, 2023, AND MARCH 30TH, 2024. APPROXIMATELY 100 AUDIENCE MEMBERS ATTENDED IN-PERSON ACROSS ALL THREE PERFORMANCES TO VIEW THESE DANCES. 0 689 134368 ALLYSON DITCHEY DIRECTOR 2.00 0 0 0 ELYSE GUTTMANN DIRECTOR 2.00 0 0 0 HOLLY SEITZ MARCHANT PRESIDENT 2.00 0 0 0 BRITTNI JOHNSON VICE PRESIDENT AND SECRETARY 2.00 525 0 0 GRAY WILDE TREASURER 2.00 0 0 0 DOMINICK EHLING DIRECTOR 2.00 0 0 0 EMILY HAUSSLER EXECUTIVE AND ARTISTIC DIRECTOR 30.00 12360 0 0 X 0 0 0 0 0 0 0 0 0 0 0 0 0 0 THE ORGANIZATION 217 CARMEL DR ST LOUIS MO 63119 5134446114 0 0 0 0 0 0 0 0 0 0 NONE NONE 1 X 34191 71821 152315 258327 34191 71821 152315 258327 18163 240164 258327 51098 X RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED RESTRICTED FORM 990-EZ, PART I, LINE 7 - SALES OF INVENTORY INCOME: GROSS RECEIPTS: 1,083. RETURNS AND ALLOWANCES: 0. LESS COST OF GOODS SOLD: 1,542. GROSS PROFIT: -459. COST OF GOODS SOLD: INVENTORY AT BEGINNING OF YEAR: 1,063. MERCHANDISE PURCHASED: 1,248. COST OF LABOR: 0. MATERIALS AND SUPPLIES: 0. OTHER COSTS: 0. INVENTORY AT END OF YEAR: 769. COST OF GOODS SOLD: 1,542. FORM 990-EZ, PART I, LINE 16 - OTHER EXPENSES DESCRIPTION: INSURANCE. AMOUNT: 3,252. DESCRIPTION: OFFICE EXPENSES. AMOUNT: 4,814. DESCRIPTION: PRODUCTION EXPENSES. AMOUNT: 3,825. DESCRIPTION: TRAVEL. AMOUNT: 7,185. DESCRIPTION: COMPANY DANCER RESOURCES. AMOUNT: 4,240. DESCRIPTION: HOSPITALITY. AMOUNT: 1,604. DESCRIPTION: PROMOTIONAL & MARKETING. AMOUNT: 482. DESCRIPTION: APPLICATION FEES. AMOUNT: 159. DESCRIPTION: BANK FEES. AMOUNT: 226. DESCRIPTION: MISCELLANEOUS. AMOUNT: 185. DESCRIPTION: STUDIO SUPPLIES. AMOUNT: 827. TOTAL TO FORM 990-EZ, LINE 16: 26,799. FORM 990-EZ, PART II, LINE 24 - OTHER ASSETS DESCRIPTION: INVENTORY. BEG. OF YEAR AMOUNT: 1,063. END OF YEAR AMOUNT: 769. THE ORGANIZATION DID NOT, DURING THE YEAR, RECEIVE ANY FUNDS, DIRECTLY,OR INDIRECTLY, TO PAY PREMIUMS ON A PERSONAL BENEFIT CONTRACT.THE ORGANIZATION, DID NOT, DURING THE YEAR, PAY ANY PREMIUMS, DIRECTLY,OR INDIRECTLY, ON A PERSONAL BENEFIT CONTRACT.